The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
The truth is, of course, that he’s a king in buckram. He is only a
country squire with a pedigree, dressed up as a Basileus to suit the
convention of the epic. Such too are the “kings” of the Odyssey. There
the story requires that Odysseus shall be King of Ithaca and that his
faithful wife shall be maintaining his throne in his absence. But the
poet or poets were so little accustomed to the ways of kings that they
constantly forget the political importance of Penelope and speak as if
it were only a question of the jointure of a comely widow. Eumæus the
swineherd extols the wealth of Odysseus by saying that no other in
Ithaca had so much. They were already in the habit of regarding the
market-place as the political focus of the State. So in the town of
Scheria “King” Alcinous goes forth daily to the council with the twelve
other “renowned kings.” Odysseus their visitor prays that this “king”
and his “queen” may be so blessed by the gods that they may leave to
their children “the substance in their halls, and whatever dues of
honour the people have rendered unto him.” And the “princess” goes out
in a mule-cart with the washing. On the stage of the epic the king is,
of course, a great and mighty ruler. We are often reminded how fearful
is the wrath of kings. The king says, according to a quotation of
Aristotle’s, that he has power of life and death. He gives away cities
that do not belong to him. He inherits “his sceptre and his dooms” from
Zeus and a long line of ancestors. But he cannot live up to these
exalted pretensions. He debates policy in the market-place with the
other kings (who are often called elders by mistake, though they are
young and lusty as an eagle), and matters are settled by the acclamation
of the masses. It is the orator who sways the crowds. By occasional
slips of the tongue these divine kings are spoken of as a greedy class,
just as they are in Hesiod. As for the “dooms” that they receive by
inspiration from Zeus, they make no practical use of them. Justice, as
we saw on our Shield, is really administered by the elders in the agora.
A careless line of the Odyssey tells of “the hour when a man rises from
the assembly and goes home to supper, a man who judges the many quarrels
of the young men that go to him for judgment.” There is no single
example of a king acting as judge in Homer, and though the king pretends
to give away cities he sometimes humbly accepts the gift of an acre or
two from the citizens for services rendered. There is, indeed, one
celebrated passage of the Iliad where monarchy is apparently extolled;
but the attentive reader will discern that it is in the language not of
primitive patriarchal conditions, but of a partisan of aristocracy or
tyranny rebuking the presumption of radical demagogy. It is in the
second book of the Iliad. Agamemnon had bidden the Greeks prepare for
flight from Troy. It was only a ruse to try their temper, but it
succeeded all too well, for the people hastily took him at his word.
Public-domain text, read in full here on John Shaqi.
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