The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
Strange relics of this agricultural life survive in the religious
customs of Athens--as, for example, in the sacrifice called Diipolia or
Ox-murder. “They choose,” says Porphyry, “some girls as water-carriers,
and they bring water for sharpening the axe and the knife. When the axe
has been sharpened one person hands it and another hits the ox, another
slaughters him, others flay him, and they all partake of him. After this
they sew up the hide of the ox and stuff it with hay and set it up, just
like life, and yoke it to the plough as if it were going to draw it. A
trial is held about the murder, and each passes on the blame for the
deed to another. The water-carriers accuse those who sharpened the
knife, the sharpeners blame the man who handed it, he passes the guilt
on to the man who struck, the striker to the slaughterer, the
slaughterer blames the knife itself; and the knife, as it cannot speak,
is found guilty and thrown into the sea.” All these offices are held in
certain families by hereditary right. The whole ceremony clearly points
back to days when the ploughing ox was held sacred. The older worship of
Attica is all agricultural. The Eleusinian mysteries are in honour of
Demeter (the Earth-Mother), Koré, her daughter, also called Persephone,
and Triptolemus, who brought corn from Egypt.[30] There are the Athenian
mysteries called Thesmophoria, in which the women cast mysterious
objects, really pieces of decayed pig and dough in the shape of snakes
and men, into clefts in the earth. They were intended to produce
fertility in fields and women. There was the Hersephoria also, in which
maidens carried baskets containing objects whose nature they must not
know to the precinct of the goddess of
[Illustration: PLATE XXV. DEMETER, PERSEPHONE AND TRIPTOLEMUS
_English Photo Co., Athens_
[ELEUSINIAN RELIEF]]
child-birth. Tradition said that two girls did peep in, and saw a child
and a snake, which pursued and killed them. The Skirophoria was similar;
it included a rite of daubing the image of Pallas with the white clay
which was used as a dressing for olive-trees. There was another ceremony
in which young girls dressed as bears danced in honour of Artemis of
Brauron. There were the three sacred ploughings of Attic soil every
year. Besides snake-heroes and snake-kings, there was the wolf-god who
became identified with Apollo, and the goat-god Pan. It is possible that
Athena’s owl is a relic of those days of Nature-worship. Most of these
cults are Attic rather than Athenian, and are specially localised in the
country demes. They visibly belong to the same religious area as the
snaky figures of Cnossos; and, indeed, Crete figures largely in the
mythology of this period. Anthropomorphic religion probably began at
Athens with a rude female xoanon, or wooden pillar-like statue, who
received in due course the name of the warrior maiden as Athena Polias.
Public-domain text, read in full here on John Shaqi.
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