Being three, one might say, they deemed themselves strong enough; they
needed no one else to lend them a hand. The objection does not hold
good. On many occasions and under conditions even more difficult than
those presented by a hard soil, I have again and again seen isolated
Necrophori wearing themselves out against my artifices; yet not once
did they leave their workshop to recruit helpers. Collaborators, it is
true, often arrive, but they are summoned by their sense of smell, not
by the first occupant. They are fortuitous helpers; they are never
called in. They are received without strife but also without
gratitude. They are not summoned; they are tolerated.
In the glazed shelter where I keep the cage I happened to catch one of
these chance assistants in the act. Passing that way in the night and
scenting dead flesh, he had entered where none of his kind had yet
penetrated of his own accord. I surprised him on the dome of the
cover. If the wire had not prevented him, he would have set to work
incontinently, in company with the rest. Had my captives invited this
one? Assuredly not. Heedless of others' efforts, he hastened up,
attracted by the odour of the Mole. So it was with those whose
obliging assistance is extolled. I repeat, in respect of their
imaginary prowess, what I have said elsewhere of the Sacred Beetle's:
it is a child's story, worthy to rank with any fairytale for the
amusement of the simple.
A hard soil, necessitating the removal of the body, is not the only
difficulty with which the Necrophori are acquainted. Frequently,
perhaps more often than not, the ground is covered with grass, above
all with couch-grass, whose tenacious rootlets form an inextricable
network below the surface. To dig in the interstices is possible, but
to drag the dead animal through them is another matter: the meshes of
the net are too close to give it passage. Will the grave-digger find
himself helpless against such an obstacle, which must be an extremely
common one? That could not be.
Exposed to this or that habitual impediment in the exercise of its
calling, the animal is always equipped accordingly; otherwise its
profession would be impracticable. No end is attained without the
necessary means and aptitudes. Besides that of the excavator, the
Necrophorus certainly possesses another art: the art of breaking the
cables, the roots, the stolons, the slender rhizomes which check the
body's descent into the grave. To the work of the shovel and the pick
must be added that of the shears. All this is perfectly logical and
may be clearly foreseen. Nevertheless, let us call in experiment, the
best of witnesses.
Public-domain text, read in full here on John Shaqi.
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