Moreover, if any doubts remained, they would be dispelled by the
following evidence: in addition to the bare, yellow eggs there are
some whose base is set in a tiny brown, pitted cup, obviously the work
of either the Two-spotted Cryptocephalus or the Long-legged Clythra,
according to the cage, but unfinished work, which half-clothed the
egg, as it left the ovaries, and then, when the dress-material ran
short, or something went wrong with the machinery, allowed it to cross
the outer threshold in the likeness of an acorn fixed in its cup.
Nothing could be prettier than this yellow egg, standing in its
artistic egg-cup. Nor could anything tell us more conclusively where
the jewel is manufactured. It is in the cloaca, the chamber common to
the oviduct and the intestine, that the bird wraps its egg in a
calcareous shell, often decorating it with magnificent hues:
olive-green for the Nightingale, sky-blue for the Wheatear, soft pink
for the Icterine Warbler. It is in the cloaca also that the Clythra
and the Cryptocephalus produce the elegant armour of their eggs.
It remains to decide upon the material employed. From its horny
appearance there is reason to believe that the little barrel of the
Taxicorn Clythra and the scales of the Four-spotted Clythra are the
products of a special secretion; and, now that it is too late, I much
regret that I neglected to look for the apparatus yielding this
secretion in the neighbourhood of the cloaca. As for the thing so
prettily wrought by the Long-legged Clythra and the Cryptocephali, let
us admit without false shame that it is made of faecal matter.
The proof is furnished by certain specimens, by no means rare in the
Golden Cryptocephalus, in which the customary brown is replaced by an
unmistakable green, the sign of a vegetable pulp. In course of time,
these green eggs turn brown and become like the others, no doubt by
reason of an oxidization which alters the natural qualities of the
digestive product still further. The egg, entering the cloaca in a
soft and utterly naked state, receives an artistic coat of the
intestinal dross, even as the Hen's egg is covered by a shell formed
of the chalky secretions.
_Materiem superabat opus, nam Mulciber illic
AEquora celerat_,
said Ovid, in his description of the Palace of the Sun. The poet had
precious metals and gems wherewith to build his imaginary marvel. What
has the Clythra wherewith to achieve its ideal jewel? It has the
shameful material whose name is banished from decent speech. And which
is the Mulciber, the Vulcan, the artist-engraver that engraves the
covering of the egg so prettily? It is the terminal sewer. The cloaca
rolls the material, flutes it, twists it into spirals, decks it with
chains of little pits and makes it up into a scaly suit of armour,
showing how nature laughs at our paltry standards of value and how
well able she is to convert the sordid into the beautiful.
Public-domain text, read in full here on John Shaqi.
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