As soon as human beings began to speculate on the attributes of their Deity; when the two principles composing it began to separate, and the idea was gaining ground that the male was the only important factor in reproduction, the sun became male, the earth and sea female. Still, even then the doctrine seems not to have been questioned, that the creative agency had proceeded from matter, or that it was developed in and through it. The belief that something can be made from nothing was reserved for a later age. In the oldest Semitic Kosmogonies, we are assured that the self-conscious God who is manifested in the order of the universe, proceeded out of the great abyss, and out of unorganized, dark, primeval matter. During the earlier historic period, however, by both Jew and Gentile, the belief was entertained that spirit is material. It is the essence of fire--a substance akin to the galvanic or electric fluid. This masculine element, the manifestation of which is desire, or heat, and which was finally set up as an eternal, self-existent, creative force, or God, was originally regarded as a manifestation of matter, and as having no independent existence. In an earlier age, this so-called creative agency is associated with a force far superior to itself, namely, Light or Wisdom. Minerva, who is the first emanation from the Deity, "formed" all things. She it is who discriminates all things and gives laws to the universe. "She represented to the Greeks that spiritual element which lifts knowledge into wisdom, and talent into genius."(97) But with the importance which began to be assumed by man when he began to regard himself as a creator, and when through ignorance and sensuality the principles of a more enlightened race were forgotten, desire, or heat, was separated from matter and came to be regarded as an independent entity, which itself had created matter out of nothing. Thus is noticed the extent to which the god-idea has been developed in accordance with the relative positions of the sexes. 97) L. T. Ives, Art Words. According to the Grecian mythology, much of which was a comparatively late development, mortal woman was the handiwork of Vulcan the Firegod, who, being commissioned by Jove to execute "a snare for gods and man," moulded the beauteous form of woman. This is a worthy example of the contempt and scorn shown by the Greeks for women during the later period of their career as a nation. That such contempt was a later development is shown in the fact that woman was originally the gift of Pallas Athene, or Wisdom. When she first appeared on the scene she was crowned by the gods, in fact she was the first object honored with a crown. Concerning the conceptions regarding women as held at an earlier age, and those which came to prevail after she had become "the cause of evil in the world," we have the following from Tertullian: