The large number of upright columns, circles of stone, cromlechs and cairns still extant in the British Isles, bears testimony to the peculiar character of the religious worship which once prevailed in them. Of these shrines perhaps none is more remarkable than that of Stonehenge, in England. Although during the numberless ages which have passed since this temple was erected many of the stones have fallen from their original places, still by the light of more recently established facts concerning religious symbolism, it has been possible, even under its present condition of decay, for scholars to unravel the hitherto mysterious significance of this remarkable structure. Stonehenge is composed of four circles of mammoth upright shafts twenty feet high, the one circle within the other, with immense stones placed across them like architraves. In ancient symbolism the circle was the emblem of eternity, or of the eternal female principle. Mountains were also sacred to the gods. It has been said that a ring of mountains gave rise to these circular temples. Faber assures us that a circular stone temple was called the circle of the world or the circle of the ark, that it represented at once the inclosure of the Noetic Ship; the egg from which creation was produced; the earth, and the zodiacal circle of the universe in which the sun performs its annual revolutions through the signs. Stonehenge is said to be the temple of the water god Noah, who, as we have seen, was first worshipped as half woman and half fish or serpent, but who finally came to be regarded as a man serpent (or fish) Deity. On approaching Stonehenge from the Northeast, the first object which engages the attention is a rude boulder, sixteen feet high, in a leaning posture. This stone has been named the Friar's Heel, but until recently its signification has been wholly unknown. Regarding the upright shaft which stands sentinel over the mysterious circles of mammoth stones called Stonehenge, Forlong says that it is no Friar's Heel, but an emblem of fertility dedicated to the Friday divinity. It is represented as the "Genius of Fire," not the genius of ordinary fire, "but of the super-sensual Divinity, celestial fire." Regarding these remarkable stones to which the Lingham god is a mere introduction, Forlong says: "No one who has studied phallic and solar worship in the East could make any mistake as to the purport of the shrine at Stonehenge... yet the indelicacy of the whole subject often so shocks the ordinary reader, that, in spite of facts, he cannot grant what he thinks shows so much debasement of the religious mind; facts are facts, however, and it only remains for us to account for them. Perhaps indeed in these later times an artificial and lower phase of sensuality has taken the place of the more natural indulgence of the passions, for procreative purposes, which principally engrossed the thoughts of early worshippers."(158) 158) Rivers of Life, vol. ii., p. 233.