The philosophy of the Etrurians corresponds with that of the most ancient Hindoo system, and displays a degree of wisdom unparalleled by any of the peoples belonging to the early historic ages. According to their cosmogony, the evolutionary or creative processes involved twelve vast periods of time. At the end of the first period appeared the planets and the earth, in the second the firmament was made, in the third the waters were brought forth, in the fourth the sun, moon, and stars were placed in the heavens, in the fifth living creatures appeared on the earth, and in the sixth man was produced. These six periods comprehended one-half the duration of the cycle. After six more periods had elapsed, or after the lapse of the entire cycle of twelve periods, all creation was dissolved or drawn to the source of all life. Subsequently a new creation was brought forth under which the same order of events will take place. The involution of life, or its return to the great source whence it sprang, did not, however, involve the destruction of matter. The seeds of returning life were preserved in an ark or boat--the female principle, within which all things are contained. This indrawing of life constituted "the night of Brahme." It was represented by Vishnu sleeping on the bottom of the sea. From the facts adduced in relation to the Etrurians we are not surprised to find that their religion was that of the ancient Nature worshippers, and that a mother with her child stood for their god-idea. In referring to the religion of this people, and to the great antiquity of the worship of the Virgin and Child, Higgins remarks: "Amongst the Gauls, more than a hundred years before the Christian era, in the district of Chartres, a festival was celebrated in honor of the Virgin," and in the year 1747, a mithraic monument was found "on which is exhibited a female nursing an infant--the Goddess of the year nursing the God day." To which he adds: "The Protestant ought to recollect that his mode of keeping Christmas Day is only a small part of the old festival as it yet exists amongst the followers of the Romish Church. Theirs is the remnant of the old Etruscan worship of the virgin and child." As a proof of the above, Higgins cites Gorius's Tuscan Antiquities, where may be seen the figure of an old Goddess with her child in her arms, the inscription being in Etruscan characters. "No doubt the Romish Church would have claimed her for a Madonna, but most unluckily she has her name, Nurtia, in Etruscan letters, on her arm, after the Etruscan practice." From the monuments of Etruria the fact is observed that descent and the rights of succession were traced in the female line, a condition of society which indicates the high position which must have been occupied by the women of that country.