The Goddess of Atvatabar: Being the history of the discovery of the interior world and conquest of AtvatabarBradshaw, William Richard
Science
The Goddess of Atvatabar: Being the history of the discovery of the interior world and conquest of Atvatabar
Bradshaw, William Richard
Science fiction
A warm, rosy beam, falling perpendicularly, enveloped the goddess like
a robe of transparent tissue. She sat, a living statue, the joy of
every heart, the embodiment of a hopeless love that kept the
worshipper in a fever of delicious unrest. Wherever the eye wandered,
it always came back to the goddess; whatever the soul thought, its
last thought was of her.
Amid a tempest of music and the thundering song of two hundred
thousand voices repeating a litany of love, the throne itself began to
revolve upon the silver cone that supported it. A fresh rapture took
possession of the multitude.
In the soul of the goddess what must have been the joy of being
surrounded by such an ocean of adoring love?
As I mused on the scene, I thought of the Coliseum at Rome raised to
the glory of barbaric force, of empire founded on the blood of its
victims, and, being such, has necessarily passed away, becoming a heap
of ruins.
Here, thought I, is a temple founded on a nobler idea, the glory of
the human soul, its ingenuity, art, and spiritual forces.
Many in the outer world would say it was an idolatrous attempt on the
part of the creature to usurp the throne of its Creator. Yet it was
strangely like the religion of such people themselves. There, as here,
I thought, is the same worship of gold, the same dependence on the
material products of man's invention, the same worship of art, the
same idolatry of each other's souls between the sexes. There is this
difference, however: in the outer world men pretend that they worship
something else other than such objects; here they have the honesty to
say what they do actually worship.
Apart from the idea of attempting to realize a friendship that can
only exist in a realm that knows neither interest, fortune, time,
ambition, temper, nor sensual love, their idolatry had one splendid
truth to unfold, viz., the necessity of a soul for an arid and
mechanical civilization. "Every intellect shall enfold a soul" was
their motto, and there was this sanity in their creed that sentiment
was the breath of its life. Science abhors sentiment; it is the cold
investigation of that which once thrilled with the passion of life.
While the singing continued, a band of neophytes of occult force
performed marvellous feats of magic, led by the Grand Sorcerer,
Charka, chief of the magicians of Harikar. The people sat enraptured
as miracle after miracle was performed. At the waving of fans by the
adepts, plants issued from the hands of every god of gold, clothing
the throne in one endless wreath of brilliant crimson blossoms and
green foliage. The fans again waved and that crimson mass of flowers
turned to a pale green, while again the green foliage changed to a
vermilion color. The throne appeared like one enormous Bougainvillea
glabra, whose leaves are flowers.
Again the fans were waved and the flowers changed to bloom all
snowy-white, while the foliage became blue.
Public-domain text, read in full here on John Shaqi.
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