The Goddess of Atvatabar: Being the history of the discovery of the interior world and conquest of AtvatabarBradshaw, William Richard
Science
The Goddess of Atvatabar: Being the history of the discovery of the interior world and conquest of Atvatabar
Bradshaw, William Richard
Science fiction
Westward of the mountains, an elevated prairie or tableland extended
for five hundred miles further, broken here and there into crevasses
and canyons, the beds of mighty rivers. Beyond the prairie an irregular
agglomeration of mountains and valleys stretched five hundred miles
further until the ocean was reached which formed the western boundary
of Atvatabar.
Egyplosis, or the sacred palace, stood on an island in a lake lying in
a romantic valley of the central plateau, one thousand miles west of
Calnogor. This was the destination of the _Aeropher_, the goddess
making a special visitation to the palace of hopeless love.
No journey could have begun with better auspices than ours. We soared
up the grand divide, underneath the brilliant sun, which threw the
moving shadow of the ship on the earth beneath.
[Illustration: The Eaglon.]
Captain Lavornal, the inventor of the _Aeropher_, was resolved to
outdo all former records in aerial navigation, and accordingly drove
the _Aeropher_ at a speed of eighty miles an hour.
The captain explained to me that he was using the wheels simply to
lift the ship over the mountains. Once over these the wheels that were
being used to lift the ship would thus propel her, when her normal
speed of two hundred miles an hour would be reached.
Lyone was in a particularly happy mood. "I like aerial travelling so
much," said she, "because it is the nearest mechanical approach to the
nature of the soul."
"What relation to the soul can the ship possibly possess?" I inquired.
"Why, don't you see," said she, "that our travelling approaches nearer
to that of the spiritual state than any other mode? We can at will
sweep up into heaven or descend to earth. We are independent of
obstacles. Rivers and roads, mountains and seas have no terrors for
us. Then the infinite daring of it all--oh! it is to me delightful."
Higher and yet higher mounted the ship up the steeps of the continent
until we plunged into a grisly pass. On either side the huge shoulders
of the mountains lifted up forests of pines and cedars, whose colossal
trunks seemed the gateways of a new world. The ship indeed possessed
some of the attributes of a soul. It could plunge us into sublimity or
death, lift up to the very sun itself, or, like a disembodied soul,
skim the surface of the earth.
The mountains once crossed, we swept down their declivities toward the
prairies with tremendous speed. The propellers seemed powerful enough
to control the ship in the fiercest storm. The inner world lay spread
out beneath us like a map in relief. There was a strange absence of
shadow caused by a perpendicular sun that realized the climate of
Dante,
"A land whereon no shadow falls."
Yet as the _Aeropher_ swept onward her shadow could be seen drifting
over cornfields, miles of rustling wheat and pastures where the cattle
started and fled from the apparition in the sky.
Public-domain text, read in full here on John Shaqi.
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