The Goddess of Reason: A Drama in Five ActsJohnston, Mary
History
The Goddess of Reason: A Drama in Five Acts
Johnston, Mary
France -- History -- Revolution, 1789-1799 -- Drama
_ACT IV_
_The interior of a church in Nantes used as a prison. Great broken
windows of stained glass, purple and crimson, through which
streams the sunlight. Prisoners of both sexes and all ages and
conditions of life move to and fro, or lean against the pillars
which support the vaulted roof. Some rest or kneel upon the steps
before the altar rail. Three children play beside a broken font.
Against a door at the left of the great altar lounge several
turnkeys dressed in blue woollen with red liberty caps._ THE
MARQUISE _sits beside a pillar. She talks with_ DE BUC _and_
ENGUERRAND LA FÔRET. _Near her are_ COUNT LOUIS _and_ MLLE. DE
CHÂTEAU-GUI. DE L’ORIENT _stands upon a bench beneath a shattered
window_. DE VARDES _sits at a rude table writing_.
_A butterfly enters at the broken window and flutters through the
church._
A CHILD
The butterfly! The butterfly!
MLLE. DE CHÂTEAU-GUI
Oh, see
Its painted wings!
A CHILD
There! There!
MLLE. DE CHÂTEAU-GUI
It comes my way!—I’ve caught it!—No!
AN ACTRESS (_dressed as a shepherdess_)
I!
I have it fast, the pretty prisoner!
DE L’ORIENT
It will not stay—
COUNT LOUIS
It soars into the roof!
No! down again on yon long ray of light!—
Give chase!
DE L’ORIENT
Here!
MLLE. DE CHÂTEAU-GUI
There!
THE ACTRESS
Oh, oh! It sails this way,
The fairy boat—
DE L’ORIENT
With freight of heart’s desire!
THE ACTRESS
I have it!
COUNT LOUIS
No, I!
[_The butterfly lights upon his hand._
‘Tis youth!
DE L’ORIENT
‘Tis gone!—
[_The butterfly brushes his shoulder._
‘Tis joy!
THE ACTRESS
Fled!—Ah, ah!—‘Tis hope!
[_The butterfly touches her outstretched arm, then
rises again._
No longer!
[_The butterfly rests upon the fair hair of_ THE MARQUISE.
THE MARQUISE
As I was saying, then I felt despair—
[_The butterfly rises, flutters in a shaft of sunshine,
then passes out of the window. The prisoners watch
its flight._
A CHILD
The butterfly has gone!
Public-domain text, read in full here on John Shaqi.
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