The Goddess of Reason: A Drama in Five ActsJohnston, Mary
History
The Goddess of Reason: A Drama in Five Acts
Johnston, Mary
France -- History -- Revolution, 1789-1799 -- Drama
I denounce
Yvette Charruel!
OTHER VOICES
And I!—And I!—And I!
_CURTAIN_
SCENE II
_The banks of the Loire. Night. Branching trees; between their
trunks is seen the river. There is a full moon, but a drifting
mist obscures the scene. In the background, upon the river bank,
dimly appears a crowd of the condemned, men, women, and children,
soldiers and executioners of the Company of Marat. From this
throng comes a low, continued, confused sound of command,
entreaty, distress, and lamentation. In the foreground the
condemned form into groups or move singly to and fro._
_Enter_ YVETTE _from the shadow of the trees_.
A SOLDIER (_following her_)
Holà! Give us not the slip!
YVETTE
Thou soldier!
There is no gold could make me flee this place!
How long dost think before they throw me in?
THE SOLDIER
A little while!
[_He returns to the river._ YVETTE _sits upon the
earth at the foot of a tree, and with her chin upon
her hand watches those who come and go_.
YVETTE
He comes not yet! O Our Lady!
I would not drown till I have seen him once!
A WOMAN (_passing with a man_)
How shines the moon! Did we not always say,
We two would die by such a moon as this?
Rememberest thou—
THE MAN
Rememberest thou that night,
That Versailles night within the Orangerie?
THE WOMAN
Rememberest thou—
[_They pass._
A SOLDIER (_calling to another_)
To bind them hand and foot,
We need more rope!
THE SECOND SOLDIER
Just thrust them in the stream
With bayonets!
A CRY FROM THE RIVER
Miséricorde!
[_A child with flowers in her hand speaks to_ YVETTE.
THE CHILD
I’m tired—
YVETTE
Rest here, thou little bird!
THE CHILD
My name’s Aimée.
I did not know that flowers grew at night.
Is that the moon?
YVETTE
It is the silver moon!
Aimée’s a pretty name. My name’s Yvette.
THE CHILD
Kiss me, Yvette—I’ll look now for Ursule!
YVETTE
Who is Ursule?
THE CHILD
My _bonne_—Adieu, Yvette!
Public-domain text, read in full here on John Shaqi.
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