France -- History -- Revolution, 1789-1799 -- Fiction; French fiction -- Translations into English; War stories
The _citoyen_ Delourmel pushed her away and beckoned to the grenadiers
to come forward. Then Athenais let loose a torrent of the foulest abuse,
the filthiest and most abominable invective, at the magistrates and
soldiers, who thought that all the rinsings of the Palais-Royal and the
Rue Fromenteau were being emptied over their devoted heads. After which,
in a voice that filled the whole Place de Thionville and sent a shudder
through the throng of curious onlookers:
"Vive le roi! Vive le roi!" she yelled.
XVIII
The _citoyenne_ Gamelin was devoted to old Brotteaux, and taking him
altogether, thought him the best and greatest man she had ever known.
She had not bidden him good-bye when he was arrested, because she would
not have dared to defy the powers that be and because in her lowly
estate she looked upon cowardice as a duty. But she had received a blow
she could not recover from.
She could not eat and lamented she had lost her appetite just when she
had at last the means to satisfy it. She still admired her son; but she
durst not let her mind dwell on the appalling duties he was engaged upon
and congratulated herself she was only an ignorant woman who had no call
to judge his conduct.
The poor mother had found a rosary at the bottom of a trunk; she hardly
knew how to use it, but often fumbled the beads in her trembling
fingers. She had lived to grow old without any overt exercise of her
religion, but she had always been a pious woman, and she would pray to
God all day long, in the chimney corner, to save her boy and that good,
kind Monsieur Brotteaux. Elodie often came to see her; they durst not
look each other in the eyes, and sitting side by side they would talk at
random of indifferent matters.
One day in Pluviose, when the snow, falling in heavy flakes, darkened
the sky and deadened the noises of the city, the _citoyenne_ Gamelin,
who was alone in the lodging heard a knock at the door. She started
violently; for months now the slightest noise had set her trembling. She
opened the door. A young man of eighteen or twenty walked in, his hat on
his head. He was dressed in a bottle-green box-coat, the triple collar
of which covered his bust and descended to the waist. He wore top-boots
of an English cut. His chestnut hair fell in ringlets about his
shoulders. He stepped into the middle of the studio, as if wishful that
all the light admitted by the snow-encumbered skylight might fall on
him, and stood there some moments without moving or speaking.
At last, in answer to the _citoyenne_ Gamelin's look of amazement:
"Don't you know your daughter?"
The old dame clasped her hands:
"Julie!... It is you.... Good God! is it possible?..."
"Why, yes, it is I. Kiss me, mother."
The _citoyenne_ Gamelin pressed her daughter to her bosom, and dropped a
tear on the collar of the box-coat. Then she began again in an anxious
voice:
"You, in Paris!..."
Public-domain text, read in full here on John Shaqi.
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