France -- History -- Revolution, 1789-1799 -- Fiction; French fiction -- Translations into English; War stories
Meantime his two companions regarded his silence as a cruel personal
insult. Brotteaux, who was of a sociable turn, endeavoured to satisfy
their curiosity; but when they discovered he was only what they called
"a political," one of the mild sort whose crime was only a matter of
words and opinions, they lost all respect and sympathy for him. The
offences charged against these two prisoners had more grit; the older of
the men was a murderer, the other had been manufacturing forged
assignats. Both made the best of their situation and even found some
alleviations in it. Brotteaux's thoughts suddenly turned to the world
above him,--how over his head all was noise and bustle, light and life,
while the pretty shopwomen in the Palais de Justice behind their
counters, loaded with perfumery and pretty knicknacks, smiled on their
customers, happy people free to go where they pleased,--and the picture
doubled his despair.
Night fell, unmarked in the darkness and silence of the dungeon, but yet
gloomy and oppressive. One leg extended on his bench and his back
propped against the wall, Brotteaux fell into a doze. And lo! he saw
himself seated at the foot of a leafy beech, in which the birds were
singing; the setting sun bathed the river in liquid fire and the clouds
were edged with purple. The night wore through. A burning fever consumed
him and he greedily drained his pitcher to the dregs, but the fetid
water only increased his distress.
Next day the gaoler who brought the food promised Brotteaux, if he could
afford the cost, to give him the privileges of a prisoner who pays for
his accommodation, so soon as there should be room, and it was not
likely to be long first. And so it turned out; two days later he invited
the old financier to leave his dungeon. At every step he took upwards,
Brotteaux felt life and vigour coming back to him, and when he saw a
room with a red-tiled floor and in it a bed of sacking covered with a
dingy woollen counterpane, he wept for joy. The gilded bed carved with
doves billing and cooing that he had once had made for the prettiest of
the dancers at the Opera had not seemed so desirable or promised him
such delights.
Public-domain text, read in full here on John Shaqi.
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