France -- History -- Revolution, 1789-1799 -- Fiction; French fiction -- Translations into English; War stories
"By-the-bye, about Gamelin; yesterday, strolling in the Boulevard du
Temple, I saw at a dealer's, who keeps a second-hand stall opposite the
House of Beaumarchais, all that poor devil's canvases, amongst the rest
his _Orestes and Electra_. The head of Orestes, who's like Gamelin, is
really fine, I assure you.... The head and arm are superb.... The man
told me he found no difficulty in getting rid of these canvases to
artists who want to paint over them.... Poor Gamelin! He might have been
a genius of the first order, perhaps, if he hadn't taken to politics."
"He had the soul of a criminal!" replied the _citoyen_ Blaise. "I
unmasked him, on this very spot, when his sanguinary instincts were
still held in check. He never forgave me.... Oh! he was a choice
blackguard."
"Poor fellow! he was sincere enough. It was the fanatics were his
ruin."
"You don't defend him, I presume, Desmahis!... There's no defending
him."
"No, _citoyen_ Blaise, there's no defending him."
The _citoyen_ Blaise tapped the gallant Desmahis' shoulder amicably, and
observed:
"Times are changed. We can call you _Barbaroux_ now the Convention is
recalling the proscribed.... Now I think of it, Desmahis, engrave me a
portrait of Charlotte Corday, will you?"
A woman, a tall, handsome brunette, enveloped in furs, entered the shop
and bestowed on the _citoyen_ Blaise a little discreet nod that implied
intimacy. It was Julie Gamelin; but she no longer bore that dishonoured
name, she preferred to be called the _citoyenne_ widow Chassagne, and
wore, under her mantle, a red tunic in honour of the red shirts of the
terror. Julie had at first felt a certain repulsion towards Evariste's
mistress; anything that had come near her brother was odious to her. But
the _citoyenne_ Blaise, after Evariste's death, had found an asylum for
the unhappy mother in the attics of the _Amour peintre_. Julie had also
taken refuge there; then she had got employment again at the fashionable
milliner's in the Rue des Lombards. Her short hair _a la victime_, her
aristocratic looks, her mourning weeds had won the sympathies of the
gilded youth. Jean Blaise, whom Rose Thevenin had pretty well thrown
over, offered her his homage, which she accepted. Still Julie was fond
of wearing men's clothes, as in the old tragic days; she had a fine
_Muscadin_ costume made for her and often went, huge baton and all
complete, to sup at some tavern at Sevres or Meudon with a girl friend,
a little assistant in a fashion shop. Inconsolable for the loss of the
young noble whose name she bore, this masculine-minded Julie found the
only solace to her melancholy in a savage rancour; every time she
encountered Jacobins, she would set the passers-by on them, crying
"Death, death!" She had small leisure left to give to her mother, who
alone in her room told her beads all day, too deeply shocked at her
boy's tragic death to feel the grief that might have been expected. Rose
Public-domain text, read in full here on John Shaqi.
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