The judges of the Revolutionary Tribunal drew no distinction between men and women, in this following a principle as old as justice itself. True, the President Montane, touched by the bravery and beauty of Charlotte Corday, had tried to save her by paltering with the procedure of the trial and had thereby lost his seat, but women as a rule were shown no favour under examination, in strict accordance with the rule common to all the tribunals. The jurors feared them, distrusting their artful ways, their aptitude for deception, their powers of seduction. They were the match of men in resolution, and this invited the Tribunal to treat them in the same way. The majority of those who sat in judgment, men of normal sensuality or sensual on occasion, were in no wise affected by the fact that the prisoner was a woman. They condemned or acquitted them as their conscience, their zeal, their love, lukewarm or vehement, for the Republic dictated. Almost always they appeared before the court with their hair carefully dressed and attired with as much elegance as the unhappy conditions allowed. But few of them were young and still fewer pretty. Confinement and suspense had blighted them, the harsh light of the hall betrayed their weariness and the anguish they had endured, beating down on faded lids, blotched and pimpled cheeks, white, drawn lips. Nevertheless, the fatal chair more than once held a young girl, lovely in her pallor, while a shadow of the tomb veiled her eyes and made her beauty the more seductive. That the sight had the power to melt some jurymen and irritate others, who should deny? That, in the secret depraved heart of him, one of these magistrates may have pried into the most sacred intimacies of the fair body that was to his morbid fancy at the same moment a living and a dead woman's, and that, gloating over voluptuous and ghoulish imaginings he may have found an atrocious pleasure in giving over to the headsman those dainty, desirable limbs,--this is perhaps a thing better left unsaid, but one which no one can deem impossible who knows what men are. Evariste Gamelin, cold and pedantic in his artistic creed, could see no beauty but in the Antique; he admired beauty, but it hardly stirred his senses. His classical taste was so severe he rarely found a woman to his liking; he was as insensible to the charms of a pretty face as he was to Fragonard's colouring and Boucher's drawing. He had never known desire save under the form of deep passion.