Aztec mythology; Indian mythology -- Mexico; Mexico -- Religion
The latest of the myths concerning Quetzalcoatl are obviously those
which regard him as a culture-hero who enters the country as an alien,
and, his beneficent work performed, withdraws to the place whence he
came, under pressure of malignant opposition. Had the basic outline of
his myth been more carefully examined, fewer unsatisfactory hypotheses
concerning Quetzalcoatl’s nature might have been ventured upon. The
Mexicans themselves recognized Quetzalcoatl as a wind-god, but Dr.
Seler has not seen fit to accept their assurance upon this point in
toto, and at various times has advanced the hypotheses that
Quetzalcoatl represents the wind, the planet Venus, or the moon,
latterly confining his personality almost entirely to the lamp of
night. [163]
In my view the physical phenomena which occur in connection with the
courses of the winds typical of the Mexican plateau provide by far the
most simple and natural explanation of the nature of the god
Quetzalcoatl. From April or May to the beginning of October the
trade-wind blows from the east coast over the Plateau of Anahuac,
bringing with it abundance of rain, and accelerating vegetable growth,
thus actually “sweeping the ways for the rain-gods.” Its advance is
comparatively slow, the rains beginning three or four weeks earlier in
Vera Cruz than in Puebla and Mexico. At the beginning of October,
however, it is invariably modified by the local monsoon, which
interrupts it over wide areas, or in certain districts invades it in
violent cyclonic storms, dissipating its energies and altering its
course. Quetzalcoatl represents the gentle trade-wind, which ushers in
the growth-making rains. His reign of peace, plenty, and fertility
over, he comes into opposition with Tezcatlipocâ, who represents the
monsoon and who chases his rival “from city to city,” ravening at him
like a tiger, says Mendieta, and at last hustling him out of the
country. That Tezcatlipocâ is also a god of wind is certain, as is
proved by one of his names, Yoalli Ehecatl, “Wind of Night,” and that
he is the monsoon or hurricane is proved beyond all doubt by the
circumstance that he is said to have rushed along the highways at night
at extraordinary speed, and that Hurakan, his Quiche name, is still
employed for the very wind he represented, and has become a generic
name for a tempestuous wind in practically all European languages,
which have without question adopted it from the American word. [164]
If this simple elucidation of the original myth be accepted, it will be
seen how naturally its later modifications arise out of it or adapt
themselves to it. But before we examine the manner in which they
crystallized around it, it becomes necessary to disentangle from the
whole mass that portion of it which alludes to the advent of a
civilizing agency upon the Mexican plateau.
Public-domain text, read in full here on John Shaqi.
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