Goddess of the seven ears, arise, awake! For, our mother, thou leavest us. Thou returnest to Tlalocan. Arise, awake! Mother, thou leavest us now, Thou goest to thy home in Tlalocan. Which may, perhaps, be interpreted thus: The expression “seven ears” is an allusion to the seven ears of maize, sprinkled with rubber oil and wrapped in paper and cloth, which each maiden in a procession of virgins carried to the temple of the goddess, the cinteopan, at the festival of uei tozoztli (April 27th). The maize is now full grown and the goddess’s labours are over for the time being, so that she is enabled to return to Tlalocan, the paradise of her brother Tlaloc. FESTIVALS The Uei Tozoztli.—The first festival attributed to Chicomecoatl in the calendar was the uei tozoztli, or the “great watch,” so called because of the watch or wake kept in the houses of the people, accompanied by a general fast. The best accounts of it are those of Sahagun [187] and Torquemada. [188] In this rite the goddess was associated with Cinteotl. After a four days’ fast, certain rushes were stained with sacrificial blood and placed upon the images of the gods in both house and temple. Branches of laurel and beds or mattresses of hay were placed before the altars, and maize porridge was distributed to the young men. The people walked in the fields cutting stalks of the young maize, which they bedecked with flowers, placing them before the altars of the gods in the calpulli, or common house of the village, along with food-offerings of every kind, baskets of tortillas, or pancakes of chian flour and toasted maize mixed with beans, each surmounted by a cooked frog. On the back of the frog offered up with the tortillas they placed a joint cut from a maize-stalk filled with small pieces of every kind of the food offered up. Thus laden, the frog symbolized the earth, bearing her fruits on her back. All this victual was carried in the afternoon to the temple of Chicomecoatl, and eaten in a general scramble. The ears of maize preserved for seed were carried in procession by virgins to the temple of the goddess, each maiden bearing seven ears of maize, sprinkled with ulli gum and wrapped in paper and cloth. The legs and arms of these girls were ornamented with red feathers and their faces were smeared with pitch and sprinkled with marcassite. To these the crowd were forbidden to speak, but much persiflage was, nevertheless, engaged in. The people then returned to their houses, and the sanctified maize was placed in every granary and corn-crib, was known as the “heart” thereof, and remained there until taken out to be used as seed. It does not appear that human sacrifice accompanied this festival, which seems to have represented ancient rustic rites, the ritual of the family and the village, handed down from very early times.