Another myth, given by Boturini, recounts her temptation of the holy ascetic Yappan, who dwelt in a desert place in order to lead a continent and solitary life, so that he might win the favour of the gods. He took up his abode on a rock called Tehuehuetl, but the gods conceived a doubt of his piety, and sent an enemy of his, Yaotl (enemy), to watch his movements. Even this bitter foe found nothing to cavil at in his conduct, and women sent by the gods to lead him from the paths of rectitude were sternly repulsed. The divine beings were about to consider his apotheosis, when Xochiquetzal, feeling that her reputation as a tempter of men was at stake, angrily assured them that she was able to effect his seduction. Descending to earth, she sought out the hermit, whom she assured of her admiration and esteem, and asked by what path she might ascend to his rocky seat. All unsuspicious of her intent, Yappan descended from his place on the rock and assisted her to climb the rugged eminence. Yappan forgot his vow of chastity, and when the goddess had departed, found himself deserted by the angry gods to the mercies of his enemy, Yaotl, who slew him out of hand. The gods transformed the slain man into a scorpion, and Yaotl having also slain Yappan’s wife, Tlahuitzin, whom he had abandoned for the life ascetic, she was transformed into an animal of the same species, and crawling under a stone, found her husband there. But the gods, wrathful at Yaotl’s excessive cruelty, changed him into a locust. [207] FESTIVALS Chicomexochitl (“Seven Flower”).—In the sign ce ocelotl, on the day chicomexochitl, the artists united to hold festival to the goddess, and the laundresses, says Sahagun, [208] fasted forty days. “They joined together, twenty or more, to obtain a better quality of pictures and weaves and to this end offered up quails and incense.” This was one of the movable feasts.