The gold hunters : $b A first-hand picture of life in California mining camps in the early fiftiesBorthwick, John David
History
The gold hunters : $b A first-hand picture of life in California mining camps in the early fifties
Borthwick, John David
California -- Gold discoveries; California -- Social life and customs -- 19th century; Mining camps -- California -- History
About half-way up the mountain, at a break in the ascent, I found a very
new log cabin by the side of a little stream of water. It bore a sign
about as large as itself, on which was painted the “Florida House”; and
as it was getting dark, and the next house was five miles farther on, I
thought I would take up my quarters here for the night. The house was
kept by an Italian, or an “Eyetalian,” as he is called across the
Atlantic. He had a Yankee wife, with a lot of children, and the style of
accommodation was as good as one usually found in such places.
I was the only guest that night; and as we sat by the fire, smoking our
pipes after supper, my host, who was a cheerful sort of fellow, became
very communicative. He gave me an interesting account of his California
experiences, and also of his farming operations in the States, where he
had spent the last few years of his life. Then, going backwards in his
career, he told me that he had lived for some years in England and
Scotland, and spoke of many places there as if he knew them well. I was
rather curious to know in what capacity such an exceedingly
dingy-looking individual had visited all the cities of the kingdom, but
he seemed to wish to avoid cross examination on the subject, so I did
not press him. He became intimately connected in my mind, however, with
sundry plaster-of-Paris busts of Napoleon, the Duke of Wellington, Sir
Walter Scott, and other distinguished characters. I could fancy I saw
the whole collection of statuary on the top of his head, and felt very
much inclined to shout out “Images!” to see what effect it would have
upon him.
In the course of the evening he asked me if I would like to hear some
music, saying that he played a little on the Italian fiddle. I said I
would be delighted, particularly as I did not know the instrument. The
only national fiddle I had ever heard of was the Caledonian, and I
trusted this instrument of his was a different sort of thing; but I was
very much amused when it turned out to be nothing more or less than a
genuine orthodox hurdy-gurdy. It put me more in mind of home than
anything I had heard for a long time. At the first note, of course, the
statuary vanished, and was replaced by a vision of an unfortunate monkey
in a red coat, while my friend’s extensive travels in the United Kingdom
became very satisfactorily accounted for, and I thought it by no means
unlikely that this was not the first time I had heard the sweet strains
of his Italian fiddle. He played several of the standard old tunes; but
hurdy-gurdy music is of such a character that a little of it goes a
great way; and I was not sorry when a couple of strings snapped--to the
great disgust, however, of my friend, for he had no more with which to
replace them.
Public-domain text, read in full here on John Shaqi.
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