Springfield (Ill.) -- Fiction; Springfield (Ill.) -- In literature; Utopias in literature
And so I say to her: “Do you think it has cost me nothing to struggle up
through the dust and the dead grass and walk beside you? Do you think it
has cost me nothing of pain to beat with my poor bare knuckles through
the years?”
But when I say such things to Avanel, she does not hear them.
But I am determined and I say: “Last March you came galloping up the
Northwest Road on your white pony, and I was buried too near the highway
to sleep, with such glory going by. A man may hardly expect to live
again beyond the life of that little earth that surrounds his bones, and
feeds the roots of the nearest tree. He may, perhaps give life through
the leaves of that tree to the locust in the bark, or to the squirrel in
the branches, but your song came past my grave like a fairy’s breath,
and my ashes are again man or fire or weed or living thorns, or what you
will them to be. If you will have nothing of a man, why give life to his
dust?”
But when I say such things to Avanel, she does not hear them. I am a
gauche beau, that is all.... The mists sweep down upon us, and we are on
the very eastern edge of Chaos, where it storms in upon the shore of
created things. And Avanel’s eyes are sleepy and her voice is faint and
far away. But she says: “Do you think I dance for temporal Springfield,
or make my pony dance for such a city? We dance for an audience of the
great deep.”
Looming across the gulf is the gigantic porch of the Palace of Eve, its
pillars reaching up into the highest clouds of the storm, pillars that
are Doric, archaic, immemorial. And out of the gulf between rises the
vague splendor of Avanel’s Dream City of the Great Deep. Avanel says:—
“Any one with Daniel Boone’s hunting knife in her belt needs no pompous
false prophets of democracy to tell her the road to freedom. In this
gulf alone is freedom, if it is to be found, and in this gulf only, is
tomorrow.”
And as she speaks Avanel’s Dream City of the Great Deep takes form and
is a picture of the Springfield we have left behind, but utterly
transcendent, with the Sunset Towers in jewelled glory, with the Truth
Tower like a pillar hewn from the white mountains of the sun, and around
the town, star shaped double walls, with the pillar oaks between them.
But even that dream crumbles and falls into nothingness. It becomes a
great cloud plain, a bridge for spirit-feet, over the gulf. And then I
see, as I sit lonely, the real dance and ceremonial of Hunter Kelly
begin. I see Avanel on her dancing pony of white fire, surrounded by her
devoted maidens, while dim and shadowy similitudes of branches of the
Amaranth-Apple, made gigantic to shade the Universe, bend above the far
off ministers of stately cosmic festival.
Public-domain text, read in full here on John Shaqi.
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