Springfield (Ill.) -- Fiction; Springfield (Ill.) -- In literature; Utopias in literature
The Man from Singapore eyes Jim steadily and continues:—“Does that seem
reasonable to you? And does all I have said seem clear, logical,
infallibly convincing?”
Jim takes the hand of this man and says it is absolutely convincing. I
note that Jim looks like a composite portrait of the heirs apparent of
all the thrones left in Europe, a weak and pasty fool, but lit up by
love.
July 10:—Crawling Jim lives but in the eyes of Mara. Everything
Singaporian is reasonable while she smiles, and it is all reasonable to
her. This doctrine of swallowing the world seems merciful because
“father” says it is. And Jim seems to her like a man. He is aflame with
desire, such as only the daughter of her voluptuous and gentle mother
could provoke, and only such a strong soul as hers could harness. He is
a mirror, pouring back the rays of her own romantic glory, and she knows
it not. She is incredibly happy, for she thinks she has done a good
stroke for Singapore and her own heart. I, even as a Malay, am stirred
with a great pity for her.
Her father, also, sees Jim as a hero. The serpent Buddha has not made
this man and his daughter infallible.
July 11:—Mara is near the window looking out through the black velvet
hangings, watching for Jim, though it is not time for him to call.
Meanwhile there is indeed an interruption to her fancies, she utters not
a word, she does not flinch, while there comes north on Mulberry
Boulevard Avanel Boone and her maiden cavalry.
They are going toward the grave of Hunter Kelly, to take part in the
solemn festival in the groves there, and along the great Northwest Road,
the festival in celebration of the planting of the first Amaranth
orchard there. The girls go by like a white whirlwind, and they give the
old Springfield cry used in battle in Asia by their mothers who were
young amazons before them. It shrieks and screams and sings down the
street: “Springfield Awake! Springfield Aflame!” They know they are
going by the house of Mara of Singapore but not one eye turns her way.
But the swords, the swords, the Damascus blades, are hissing and
glittering in the air. And the Man from Singapore, apparently intent
upon his affairs does not turn to look out of the window of the book
room. He does not so much as look up from his book of Malay lyrics. He
utters one phrase: “The Cats of Cambyses, if we are to take Black Hawk
Boone at his word.”
I am temporarily of the Singaporians, in my way. I have their poisoned
eyes, it seems. So, while I have watched, horse and rider have faded
into something new and strange. They go by in semblance as beautiful
white tigers.
But what of Mara, who regards me as an article of furniture? What has
she seen? Apparently nothing but Springfield girls on a wild, lovely,
sweet, shrieking revel to which she has not been invited. She feels
“snubbed.” She is lonely, weary, in this house and city, though she has
a lover and a convert coming within the hour.
Public-domain text, read in full here on John Shaqi.
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