Springfield (Ill.) -- Fiction; Springfield (Ill.) -- In literature; Utopias in literature
The boats are ranged in three great circles beneath us round the new
Amaranth Vine. These ride on invisible sea-levels. They are not air
ships with modern wings and propellers, but boats of the ancient type,
such as were used by Hiram, King of Tyre, when he brought the wood to
build the temple of Solomon, such as St. Peter used on Lake Galilee,
such as bore St. Paul to the ends of the world.
While the star chimes of the city ring new tunes, the weird sailors
below us pour down a crimson wine from the sides of the boats, that
mixes with the autumn leaves of the Amaranth Vine that swirl now between
us and the whole towered city below. The wine and the leaves turn to
crimson mist and crimson storm, filling the city canyons with rolling
rivers of storm to the top of the Sunset Towers.
The boats rise, sailing as though travelling of their own knowledge.
Even those that are empty and have no prophet sailors in them are up and
away. Some of them seem like exhalations from the perfume and gleam of
the gigantic vine or from the light and mist of the city below. And so
out to the stars scatter all these purposeful ships, some empty, some
with prophet crews, and every boat has blazing at its masthead the red
and white star of Springfield and Illinois.
And the song goes up with them to the stars: “Springfield Awake,
Springfield Aflame.” Avanel says, “That song comes because the song and
heart and blood of the proudest prophets from the proudest suns, are for
the city that will receive them.”
We let our ship blow and drift as it will. But it sweeps up and up, with
the swiftness of light. In less time than it takes a flower to open, we
are carried to the parapets of ancient Heaven. We find our great-leaved,
heavy-fruited Amaranth Vine, climbing up over the closed gates and high
wall-towers of Heaven and winding a long way into the old forest that
has overgrown the streets. We find the new all conquering Springfield
vine, spreading branches through the forest like a banyan tree.
As this Amaranth from our little earthly village grows thicker, we see
by its light a bit of what the ancient Heaven has been. And it is still
a solid place of soil and rock and metal. Where the Springfield Amaranth
blooms thickest, shedding luminous glory from the petals in the
starlight, this Heaven is shown to be an autumn forest, yet with the
cedars of Lebanon, and sandalwood thickets, and the million tropic trees
whose seeds have blown here from strange zones of the planets, and whose
patterns are not the patterns of those of our world. Among these,
vine-clad pillars and walls are still standing, roofed palaces, so gigantic
that, when our boat glides down the great streets between them, they
overhang our masts.
And from branches above us these strange manners of fruits tumble upon
our decks for our feasting and delight. And there are beneath our ship,
as it sails on as it will, little fields long cleared in the forest,
where grows weedy ungathered grain.
Public-domain text, read in full here on John Shaqi.
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