The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)Frazer, James George
Religion
The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)
Frazer, James George
Magic; Mythology; Religion; Superstition
which under the old rule was denied him; and people probably reconciled
themselves to the change by reflecting that so long as the god-man could
maintain himself by the sword against all assaults, there was no reason to
apprehend that the fatal decay had set in.
The conjecture that the King of the Wood was formerly put to death at the
expiry of a set term, without being allowed a chance for his life, will be
confirmed if evidence can be adduced of a custom of periodically killing
his counterparts, the human representatives of the tree-spirit, in
Northern Europe. Now in point of fact such a custom has left unmistakable
traces of itself in the rural festivals of the peasantry. To take
examples.
In Lower Bavaria the Whitsuntide representative of the tree-spirit—the
_Pfingstl_ as he was called—was clad from top to toe in leaves and
flowers. On his head he wore a high pointed cap, the ends of which rested
on his shoulders, only two holes being left in it for his eyes. The cap
was covered with water flowers and surmounted with a nosegay of peonies.
The sleeves of his coat were also made of water-plants, and the rest of
his body was enveloped in alder and hazel leaves. On each side of him
marched a boy holding up one of the _Pfingstl_’s arms. These two boys
carried drawn swords, and so did most of the others who formed the
procession. They stopped at every house where they hoped to receive a
present; and the people, in hiding, soused the leaf-clad boy with water.
All rejoiced when he was well drenched. Finally he waded into the brook up
to his middle; whereupon one of the boys, standing on the bridge,
pretended to cut off his head.(813) At Wurmlingen in Swabia a score of
young fellows dress themselves on Whit-Monday in white shirts and white
trousers, with red scarves round their waists and swords hanging from the
scarves. They ride on horse-back into the wood, led by two trumpeters
blowing their trumpets. In the wood they cut down leafy oak branches, in
which they envelop from head to foot him who was the last of their number
to ride out of the village. His legs, however, are encased separately, so
that he may be able to mount his horse again. Further, they give him a
long artificial neck, with an artificial head and a false face on the top
of it. Then a May-tree is cut, generally an aspen or beech about ten feet
high; and being decked with coloured handkerchiefs and ribbons it is
entrusted to a special “May-bearer.” The cavalcade then returns with music
and song to the village. Amongst the personages who figure in the
procession are a Moorish king with a sooty face and a crown on his head, a
Dr. Iron-Beard, a corporal, and an executioner. They halt on the village
green, and each of the characters makes a speech in rhyme. The executioner
announces that the leaf-clad man has been condemned to death and cuts off
his false head. Then the riders race to the May-tree, which has been set
up a little way off.
Public-domain text, read in full here on John Shaqi.
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