The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)Frazer, James George
Religion
The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)
Frazer, James George
Magic; Mythology; Religion; Superstition
These examples illustrate the contests in reaping, threshing, and binding
which take place amongst the harvesters, on account of their unwillingness
to suffer the ridicule and personal inconvenience attaching to the
individual who happens to finish his work last. It will be remembered that
the person who is last at reaping, binding, or threshing, is regarded as
the representative of the corn-spirit,(1215) and this idea is more fully
expressed by binding him or her in corn-stalks. The latter custom has been
already illustrated, but a few more instances may be added. At Kloxin,
near Stettin, the harvesters call out to the woman who binds the last
sheaf, “You have the Old Man, and must keep him.” The Old Man is a great
bundle of corn decked with flowers and ribbons, and fashioned into a rude
semblance of the human form. It is fastened on a rake or strapped on a
horse, and brought with music to the village. In delivering the Old Man to
the farmer, the woman says—
“Here, dear Sir, is the Old Man.
He can stay no longer on the field,
He can hide himself no longer,
He must come into the village.
Ladies and gentlemen, pray be so kind
As to give the Old Man a present.”
Forty or fifty years ago the custom was to tie up the woman herself in
pease-straw, and bring her with music to the farmhouse, where the
harvesters danced with her till the pease-straw fell off.(1216) In other
villages round Stettin, when the last harvest-waggon is being loaded,
there is a regular race amongst the women, each striving not to be last.
For she who places the last sheaf on the waggon is called the Old Man, and
is completely swathed in corn-stalks; she is also decked with flowers, and
flowers and a helmet of straw are placed on her head. In solemn procession
she carries the harvest-crown to the squire, over whose head she holds it
while she utters a string of good wishes. At the dance which follows, the
Old Man has the right to choose his (or rather her) partner; it is an
honour to dance with him.(1217) At Blankenfelde, in the district of
Potsdam, the woman who binds the last sheaf at the rye-harvest is saluted
with the cry, “You have the Old Man.” A woman is then tied up in the last
sheaf in such a way that only her head is left free; her hair also is
covered with a cap made of rye-stalks, adorned with ribbons and flowers.
She is called the Harvest-man, and must keep dancing in front of the last
harvest-waggon till it reaches the squire’s house, where she receives a
present, and is released from her envelope of corn.(1218) At Gommern, near
Magdeburg, the reaper who cuts the last ears of corn is often wrapt up in
corn-stalks so completely that it is hard to see whether there is a man in
the bundle or not. Thus wrapt up he is taken by another stalwart reaper on
his back, and carried round the field amid the joyous cries of the
harvesters.(1219) At Neuhausen, near Merseburg, the person who binds the
Public-domain text, read in full here on John Shaqi.
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