The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
standing excuse, that some one else has kept off the rain by stronger
magic.[889]
[Sidenote: Rain-making among the Arunta.]
Among the Arunta tribe of Central Australia a celebrated rain-maker
resides at the present day in what is called by the natives the Rain
Country (_Kartwia quatcha_), a district about fifty miles to the
east of Alice Springs. He is the head of a group of people who have
water for their totem, and when he is about to engage in a ceremony
for the making of rain he summons other men of the water totem
from neighbouring groups to come and help him. {p260} When all are
assembled, they march into camp, painted with red and yellow ochre
and pipeclay, and wearing bunches of eagle-hawk feathers on the crown
and sides of the head. At a signal from the rain-maker they all sit
down in a line and, folding their arms across their breasts, chant
certain words for a time. Then at another signal from the master of
the ceremonies they jump up and march in single file to a spot some
miles off, where they camp for the night. At break of day they scatter
in all directions to look for game, which is then cooked and eaten;
but on no account may any water be drunk, or the ceremony would fail.
When they have eaten, they adorn themselves again in a different style,
broad bands of white bird’s down being glued by means of human blood
to their stomach, legs, arms, and forehead. Meanwhile a special hut
of boughs has been made by some older men not far from the main camp.
Its floor is strewn with a thick layer of gum leaves to make it soft,
for a good deal of time has to be spent lying down here. Close to
the entrance of the hut a shallow trench, some thirty yards long, is
excavated in the ground. At sunset the performers, arrayed in all the
finery of white down, march to the hut. On reaching it the young men
go in first and lie face downwards at the inner end, where they have
to stay till the ceremony is over; none of them is allowed to quit
it on any pretext. Meanwhile, outside the hut the older men are busy
decorating the rain-maker. Hair girdles, covered with white down, are
placed all over his head, while his cheeks and forehead are painted
with pipeclay; and two broad bands of white down pass across the face,
one over the eyebrows and the other over the nose. The front of his
body is adorned with a broad band of pipeclay fringed with white down,
and rings of white down encircle his arms. Thus decorated, with patches
of bird’s down adhering by means of human blood to his hair and the
whole of his body, the disguised man is said to present a spectacle
which, once seen, can never be forgotten. He now takes up a position
close to the opening of the hut. Then the old men sing a song, and
when it is finished, the rain-maker comes out of the hut and stalks
slowly twice up and down the shallow trench, quivering his body and
legs in a {p261} most extraordinary way, every nerve and fibre seeming
to tremble.
Public-domain text, read in full here on John Shaqi.
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