The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
When some of the aborigines of Victoria desired to destroy an enemy,
they would occasionally retire to a lonely spot, and drawing on the
ground a rude likeness of the victim would sit round it and devote
him to destruction with cabalistic ceremonies. So dreaded was this
incantation that men and women, who learned that it had been directed
against them, have been known to pine away and die of fright.[210]
On the Bloomfield River in Queensland the natives think they can doom
a man by making a rough wooden effigy of him and burying it in the
ground, or by painting his likeness on a bull-roarer; and they believe
that persons whose portraits are carved on a tree at Cape Bedford will
waste away.[211] When the wife of a Central Australian native has
eloped from him and he cannot recover her, the disconsolate husband
repairs with some sympathising friends to a secluded spot, where a
man skilled in magic draws on the ground a rough figure supposed to
represent the woman lying on her back. Beside the figure is laid a
piece of green bark, which stands for her spirit or soul, and at it
the men throw miniature spears which have been made for the purpose
and charmed by singing over them. This barken effigy of the woman’s
spirit, with the little spears sticking in it, is then thrown as far as
possible in the direction which she is supposed to have taken. During
the whole of the operation the men chant in a low voice, the burden of
their song being an invitation to the magic influence to go out and
enter her body and dry up all her fat. Sooner or later—often a good
deal later—her fat does dry up, she dies, and her spirit is seen in the
sky in the form of a shooting star.[212]
[Sidenote: Magical images in Burma, and Africa.]
In Burma a rejected lover sometimes resorts to a sorcerer and engages
him to make a small image of the scornful fair one, containing a piece
of her clothes, or of something which she has been in the habit of
wearing. Certain charms or medicines also enter into the composition
of the doll, which is then hung up or thrown into the water. As a
{p63} consequence the girl is supposed to go mad.[213] In this
last example, as in the first of the Malay charms noticed above,
homoeopathic or imitative magic is blent with contagious magic in the
strict sense of the word, since the likeness of the victim contains
something which has been in contact with her person. A Matabele who
wishes to avenge himself on an enemy makes a clay figure of him and
pierces it with a needle; next time the man thus represented happens
to engage in a fight he will be speared, just as his effigy was
stabbed.[214] The Ovambo of South-western Africa believe that some
people have the power of bewitching an absent person by gazing into a
vessel full of water till his image appears to them in the water; then
they spit at the image and curse the man, and that seals his fate.[215]
[Sidenote: Magical images in ancient India.]
Public-domain text, read in full here on John Shaqi.
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