In modern India the practices described in these old books are still carried on with mere variations of detail. The magician compounds the fatal image of earth taken from sixty-four filthy places, and mixed up with clippings of hair, parings of nails, bits of leather, and so on. Upon the breast of the image he writes the name of his enemy; then he pierces it through and through with an awl, or maims it in various ways, hoping thus to maim or kill the object of his vengeance.​[220] Among the Nambutiris of Malabar a figure representing the enemy to be destroyed is drawn on a small sheet of metal, gold by preference, on which some mystic diagrams are also inscribed. The sorcerer then declares that the bodily injury or death of the person shall take place at a certain time. After that he wraps up the little sheet in another sheet or leaf of metal (gold if possible), and buries it in a place where the victim is expected to pass. Sometimes instead of a small sheet of metal he buries a live frog or lizard enclosed in a coco-nut shell, after sticking nails into its eyes and stomach. At the same moment that the animal dies the person expires also.​[221] Among the Mohammedans of Northern India the proceeding is as follows. A doll is made of earth taken from a grave or from a place where bodies are cremated, and some sentences of the Coran are read backwards over twenty-one small wooden pegs. These pegs the operator next strikes into various parts of the body of the image, which is afterwards shrouded like a corpse, carried to a graveyard, and buried in the name of the enemy whom it is intended to injure. The man, it is {p65} believed, will die without fail after the ceremony.​[222] A slightly different form of the charm is observed by the Bâm-Margi, a very degraded sect of Hindoos in the North-West Provinces. To kill an enemy they make an image of flour or earth, and stick razors into the breast, navel, and throat, while pegs are thrust into the eyes, hands, and feet. As if this were not enough, they next construct an image of Bhairava or Durga holding a three-pronged fork in her hand; this they place so close to the effigy of the person to whom mischief is meant that the fork penetrates its breast.​[223] To injure a person a Singhalese sorcerer will procure a lock of his intended victim’s hair, a paring of his nails, or a thread of his garment. Then he fashions an image of him and thrusts nails made of five metals into the joints. All these he buries where the unfortunate man is likely to pass. No sooner has he done so than the victim falls ill with swelling or stiffness of joints, or burning sensations in the body, or disfigurements of the mouth, legs, and arms.​[224] [Sidenote: Magical images among the Arabs of North Africa.]