The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 01 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
After that the men sit round the stone and chant invitations to
the tree to flower much and to the blossoms to be filled with honey.
Finally, at the request of the old leader, one of the young men opens
a vein in his arm and lets the blood flow freely over the stone,
while the rest continue to sing. The flow of blood is supposed to
represent the preparation of the favourite drink of the natives, which
is made by steeping the hakea flower in water. As soon as the stone
is covered with blood the ceremony is complete.[293] Again, the men
of the kangaroo totem in the Arunta tribe perform ceremonies for the
multiplication of kangaroos at a certain rocky ledge, which, in the
opinion of the natives, is full of the spirits of kangaroos ready to go
forth and inhabit kangaroo bodies. A little higher up on the hillside
are two blocks of stone, which represent a male and female kangaroo
respectively. At the ceremony these two blocks are rubbed with a stone
by two men. Then the rocky ledge below is decorated with alternate
vertical stripes of red and white, to indicate the red fur and white
bones of the kangaroo. After that a number of young men sit on the
ledge, open veins in {p87} their arms, and allow the blood to spurtle
over the edge of the rock on which they are seated. This pouring out
of the blood of the kangaroo men on the rock is thought to drive out
the spirits of the kangaroos in all directions, and so to increase the
number of the animals. While it is taking place, the other men sit
below watching the performers and singing songs which refer to the
expected increase of kangaroos.[294] In the Kaitish tribe, when the
headman of the grass seed totem wishes to make the grass grow, he takes
two sacred sticks or stones (_churinga_) of the well-known bull-roarer
pattern, smears them with red-ochre, and decorates them with lines and
dots of down to represent grass seed. Then he rubs the sticks or stones
together so {p88} that the down flies off in all directions. The down is
supposed to carry with it some virtue from the sacred stick or stone
whereby the grass seed is made to grow. For days afterwards the headman
walks about by himself in the bush singing the grass seed and carrying
one of the sacred bull-roarers (_churinga_) with him. At night he hides
the implement in the bush and returns to camp, where he may have no
intercourse with his wife. For during all this time he is believed to
be so full of magic power, derived from the bull-roarer, that if he had
intercourse with her the grass seed would not grow properly and his
body would swell up when he tasted of it. When the seed begins to grow,
he still goes on singing to make it grow more, but when it is fully
grown he brings back the sacred implement to his camp hidden in bark;
and having gathered a store of the seed he leaves it with the men of
the other half of the tribe, saying, “You eat the grass seed in plenty,
it is very good and grows in my country.”[295]
[Sidenote: Manna ceremony.]
Public-domain text, read in full here on John Shaqi.
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