[Sidenote: Double representation of the tree-spirit by tree and man among the Oraons.] An example of the double representation of the spirit of vegetation by a tree and a living man is reported from Bengal. The Oraons have a festival in spring while the sál-trees are in blossom, because they think that at this time the marriage of earth is celebrated and the sál flowers are necessary for the ceremony. On an appointed day the villagers go with their priest to the Sarna, the sacred grove, a remnant of the old sál forest in which a goddess Sarna Burhi, or woman of the grove, is supposed to dwell. She is thought to have great influence on the rain; and the priest arriving with his party at the grove sacrifices to her five fowls, of which a morsel is given to each person present. Then they gather the sál flowers and return laden with them to the village. Next day the priest visits every house, carrying the flowers in a wide open basket. The women of each house bring out water to wash his feet as he approaches, and kneeling make him an obeisance. Then he dances with them and places some of the sál flowers over the door of the house and in the women’s hair. No sooner is this done than the women empty their water-jugs over him, drenching him to the skin. A feast follows, and the young people, with sál flowers in their hair, dance all night on the village green.[292] Here, the equivalence of the flower-bearing priest to the goddess of the flowering tree comes out plainly. For she is supposed to influence the rain, and the drenching of the priest with water is, doubtless, like the ducking of the Green George in Carinthia and elsewhere, a rain-charm. Thus the priest, as if he were the tree goddess herself, goes from door to door dispensing rain and bestowing fruitfulness on each house, but especially on the women. In some parts [Sidenote: Double representation of the harvest-goddess Gauri by a bundle of plants and an unmarried girl.] of India the harvest-goddess Gauri, the wife of Siva, is represented both by an unmarried girl and by a bundle of the wild flowering balsam plant touch-me-not (_Impatiens sp._), which is tied up in a mummy-like figure with a woman’s mask, dress, and ornaments. Before being removed from the soil to represent the goddess the plants are worshipped. The girl is also worshipped. Then the bundle of plants is carried and the girl who personates the goddess walks through the rooms of the house, while the supposed footprints of Gauri herself are imprinted on the floor with red paste. On entering each room the human representative of Gauri is asked, “Gauri, Gauri, whither have you come and what do you see?” and the girl makes appropriate replies. Then she is given a mouthful of sweets and the mistress of the house says, “Come with golden feet and stay for ever.” The plant-formed effigy of Gauri is afterwards worshipped as the goddess herself and receives offerings of rice-cakes and pancakes. On