The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M177) A ceremony of the same sort is observed in Provence on Ash
Wednesday. An effigy called Caramantran, whimsically attired, is drawn in
a chariot or borne on a litter, accompanied by the populace in grotesque
costumes, who carry gourds full of wine and drain them with all the marks,
real or affected, of intoxication. At the head of the procession are some
men disguised as judges and barristers, and a tall gaunt personage who
masquerades as Lent; behind them follow young people mounted on miserable
hacks and attired as mourners who pretend to bewail the fate that is in
store for Caramantran. In the principal square the procession halts, the
tribunal is constituted, and Caramantran placed at the bar. After a formal
trial he is sentenced to death amid the groans of the mob; the barrister
who defended him embraces his client for the last time: the officers of
justice do their duty: the condemned is set with his back to a wall and
hurried into eternity under a shower of stones. The sea or a river
receives his mangled remains.(607) At Lussac in the department of Vienne
young people, attired in long mourning robes and with woebegone
countenances, carry an effigy down to the river on Ash Wednesday and throw
it into the river, crying, “Carnival is dead! Carnival is dead!”(608)
Throughout nearly the whole of the Ardennes it was and still is customary
on Ash Wednesday to burn an effigy which is supposed to represent the
Carnival, while appropriate verses are sung round about the blazing
figure. Very often an attempt is made to fashion the effigy in the
likeness of the husband who is reputed to be least faithful to his wife of
any in the village. As might perhaps have been anticipated, the
distinction of being selected for portraiture under these painful
circumstances has a slight tendency to breed domestic jars, especially
when the portrait is burnt in front of the house of the gay deceiver whom
it represents, while a powerful chorus of caterwauls, groans, and other
melodious sounds bears public testimony to the opinion which his friends
and neighbours entertain of his private virtues. In some villages of the
Ardennes a young man of flesh and blood, dressed up in hay and straw, used
to act the part of Shrove Tuesday (_Mardi Gras_), as the personification
of the Carnival is often called in France after the last day of the period
which he personates. He was brought before a mock tribunal, and being
condemned to death was placed with his back to a wall, like a soldier at a
military execution, and fired at with blank cartridges. At Vrigne-aux-Bois
one of these harmless buffoons, named Thierry, was accidentally killed by
a wad that had been left in a musket of the firing-party. When poor Shrove
Tuesday dropped under the fire, the applause was loud and long, he did it
so naturally; but when he did not get up again, they ran to him and found
him a corpse. Since then there have been no more of these mock executions
Public-domain text, read in full here on John Shaqi.
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