The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
moment has come for the first procession with the Death to begin; it is a
privilege that belongs to the school-girls alone. Two of the older girls
seize the figure by the arms and walk in front: all the rest follow two
and two. Boys may take no part in the procession, but they troop after it
gazing with open-mouthed admiration at the “beautiful Death.” So the
procession goes through all the streets of the village, the girls singing
the old hymn that begins—
“_Gott mein Vater, deine Liebe_
_Reicht so weit der Himmel ist,_”
to a tune that differs from the ordinary one. When the procession has
wound its way through every street, the girls go to another house, and
having shut the door against the eager prying crowd of boys who follow at
their heels, they strip the Death and pass the naked truss of straw out of
the window to the boys, who pounce on it, run out of the village with it
without singing, and fling the dilapidated effigy into the neighbouring
brook. This done, the second scene of the little drama begins. While the
boys were carrying away the Death out of the village, the girls remained
in the house, and one of them is now dressed in all the finery which had
been worn by the effigy. Thus arrayed she is led in procession through all
the streets to the singing of the same hymn as before. When the procession
is over they all betake themselves to the house of the girl who played the
leading part. Here a feast awaits them from which also the boys are
excluded. It is a popular belief that the children may safely begin to eat
gooseberries and other fruit after the day on which Death has thus been
carried out; for Death, which up to that time lurked especially in
gooseberries, is now destroyed. Further, they may now bathe with impunity
out of doors.(675) Very similar is the ceremony which, down to recent
years, was observed in some of the German villages of Moravia. Boys and
girls met on the afternoon of the first Sunday after Easter, and together
fashioned a puppet of straw to represent Death. Decked with
bright-coloured ribbons and cloths, and fastened to the top of a long
pole, the effigy was then borne with singing and clamour to the nearest
height, where it was stript of its gay attire and thrown or rolled down
the slope. One of the girls was next dressed in the gauds taken from the
effigy of Death, and with her at its head the procession moved back to the
village. In some villages the practice is to bury the effigy in the place
that has the most evil reputation of all the country-side: others throw it
into running water.(676)
Public-domain text, read in full here on John Shaqi.
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