The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
O how shall we part from thee? What is life without thee? Arise, if
only for a brief hour. But he rises not, he rises not.” At last the Yarilo
was buried in a grave.(716)
§ 9. Death and Revival of Vegetation.
(M206) These Russian customs are plainly of the same nature as those which
in Austria and Germany are known as “Carrying out Death.” Therefore if the
interpretation here adopted of the latter is right, the Russian
Kostrubonko, Yarilo, and the rest must also have been originally
embodiments of the spirit of vegetation, and their death must have been
regarded as a necessary preliminary to their revival. The revival as a
sequel to the death is enacted in the first of the ceremonies described,
the death and resurrection of Kostrubonko. The reason why in some of these
Russian ceremonies the death of the spirit of vegetation is celebrated at
midsummer may be that the decline of summer is dated from Midsummer Day,
after which the days begin to shorten, and the sun sets out on his
downward journey—
“_To the darksome hollows_
_Where the frosts of winter lie._”
Such a turning-point of the year, when vegetation might be thought to
share the incipient though still almost imperceptible decay of summer,
might very well be chosen by primitive man as a fit moment for resorting
to those magic rites by which he hopes to stay the decline, or at least to
ensure the revival, of plant life.
(M207) But while the death of vegetation appears to have been represented
in all, and its revival in some, of these spring and midsummer ceremonies,
there are features in some of them which can hardly be explained on this
hypothesis alone. The solemn funeral, the lamentations, and the mourning
attire, which often characterise these rites, are indeed appropriate at
the death of the beneficent spirit of vegetation. But what shall we say of
the glee with which the effigy is often carried out, of the sticks and
stones with which it is assailed, and the taunts and curses which are
hurled at it? What shall we say of the dread of the effigy evinced by the
haste with which the bearers scamper home as soon as they have thrown it
away, and by the belief that some one must soon die in any house into
which it has looked? This dread might perhaps be explained by a belief
that there is a certain infectiousness in the dead spirit of vegetation
which renders its approach dangerous. But this explanation, besides being
rather strained, does not cover the rejoicings which often attend the
carrying out of Death. We must therefore recognise two distinct and
seemingly opposite features in these ceremonies: on the one hand, sorrow
for the death, and affection and respect for the dead; on the other hand,
fear and hatred of the dead, and rejoicings at his death. How the former
of these features is to be explained I have attempted to shew: how the
latter came to be so closely associated with the former is a question
which I shall try to answer in the sequel.
Public-domain text, read in full here on John Shaqi.
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