The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M210) That in this Indian ceremony the deities Siva and Pârvatî are
conceived as spirits of vegetation seems to be proved by the placing of
their images on branches over a heap of grass and flowers. Here, as often
in European folk-custom, the divinities of vegetation are represented in
duplicate, by plants and by puppets. The marriage of these Indian deities
in spring corresponds to the European ceremonies in which the marriage of
the vernal spirits of vegetation is represented by the King and Queen of
May, the May Bride, Bridegroom of the May, and so forth.(720) The throwing
of the images into the water, and the mourning for them, are the
equivalents of the European customs of throwing the dead spirit of
vegetation under the name of Death, Yarilo, Kostroma, and the rest, into
the water and lamenting over it. Again, in India, as often in Europe, the
rite is performed exclusively by females. The notion that the ceremony
helps to procure husbands for the girls can be explained by the quickening
and fertilising influence which the spirit of vegetation is believed to
exert upon the life of man as well as of plants.(721)
§ 11. The Magic Spring.
(M211) The general explanation which we have been led to adopt of these
and many similar ceremonies is that they are, or were in their origin,
magical rites intended to ensure the revival of nature in spring. The
means by which they were supposed to effect this end were imitation and
sympathy. Led astray by his ignorance of the true causes of things,
primitive man believed that in order to produce the great phenomena of
nature on which his life depended he had only to imitate them, and that
immediately by a secret sympathy or mystic influence the little drama
which he acted in forest glade or mountain dell, on desert plain or
wind-swept shore, would be taken up and repeated by mightier actors on a
vaster stage. He fancied that by masquerading in leaves and flowers he
helped the bare earth to clothe herself with verdure, and that by playing
the death and burial of winter he drove that gloomy season away, and made
smooth the path for the footsteps of returning spring. If we find it hard
to throw ourselves even in fancy into a mental condition in which such
things seem possible, we can more easily picture to ourselves the anxiety
which the savage, when he first began to lift his thoughts above the
satisfaction of his merely animal wants, and to meditate on the causes of
things, may have felt as to the continued operation of what we now call
the laws of nature. To us, familiar as we are with the conception of the
uniformity and regularity with which the great cosmic phenomena succeed
each other, there seems little ground for apprehension that the causes
which produce these effects will cease to operate, at least within the
near future. But this confidence in the stability of nature is bred only
by the experience which comes of wide observation and long tradition; and
Public-domain text, read in full here on John Shaqi.
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