The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M54) Without being unduly rash we may surmise that the tribute of seven
youths and seven maidens whom the Athenians were bound to send to Minos
every eight years had some connexion with the renewal of the king’s power
for another octennial cycle. Traditions varied as to the fate which
awaited the lads and damsels on their arrival in Crete; but the common
view appears to have been that they were shut up in the labyrinth, there
to be devoured by the Minotaur, or at least to be imprisoned for
life.(180) Perhaps they were sacrificed by being roasted alive in a bronze
image of a bull, or of a bull-headed man, in order to renew the strength
of the king and of the sun, whom he personated. This at all events is
suggested by the legend of Talos, a bronze man who clutched people to his
breast and leaped with them into the fire, so that they were roasted
alive. He is said to have been given by Zeus to Europa, or by Hephaestus
to Minos, to guard the island of Crete, which he patrolled thrice
daily.(181) According to one account he was a bull,(182) according to
another he was the sun.(183) Probably he was identical with the Minotaur,
and stripped of his mythical features was nothing but a bronze image of
the sun represented as a man with a bull’s head. In order to renew the
solar fires, human victims may have been sacrificed to the idol by being
roasted in its hollow body or placed on its sloping hands and allowed to
roll into a pit of fire. It was in the latter fashion that the
Carthaginians sacrificed their offspring to Moloch. The children were laid
on the hands of a calf-headed image of bronze, from which they slid into a
fiery oven, while the people danced to the music of flutes and timbrels to
drown the shrieks of the burning victims.(184) The resemblance which the
Cretan traditions bear to the Carthaginian practice suggests that the
worship associated with the names of Minos and the Minotaur may have been
powerfully influenced by that of a Semitic Baal.(185) In the tradition of
Phalaris, tyrant of Agrigentum, and his brazen bull(186) we may have an
echo of similar rites in Sicily, where the Carthaginian power struck deep
roots.
Public-domain text, read in full here on John Shaqi.
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