the name of Vikramaditya and be endowed with the strength of a thousand elephants. The deserted wife was filled with sorrow at his departure, and died in giving birth to Vikramaditya.(365) (M98) This story belongs to a widely diffused type of tale which in England is known by the name of Beauty and the Beast. It relates how a beast, doffing its animal shape, lives as a human husband or wife with a human spouse. Often, though not always, their marriage has a tragic ending. The couple live lovingly together for years and children are born to them. But it is a condition of their union that the transformed husband or wife should never be reminded of his or her old life in furry, feathered, or finny form. At last one unhappy day the fairy spouse finds his or her beast skin, which had been carefully hidden away by her or his loving partner; or husband and wife quarrel and the real man or woman taunts the other with her or his kinship with the beasts. The sight of the once familiar skin awakens old memories and stirs yearnings that had been long suppressed: the cruel words undo the kindness of years. The sometime animal resumes its native shape and disappears, and the human husband or wife is left lamenting. Sometimes, as in the story of Gandharva-Sena, the destruction of the beast’s skin causes the fairy mate to vanish for ever; sometimes it enables him or her to remain thenceforth in human form with the human wife or husband. Tales of this sort are told by savages in many parts of the world, and many of them have survived in the folk-lore of civilised peoples. With their implied belief that beasts can turn into men or men into beasts, they must clearly have originated among savages who see nothing incredible in such transformations.