The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 05 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 05 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M139) The burning of Sandan, like that of Melcarth,(554) was probably
followed by a ceremony of his resurrection or awakening, to indicate that
the divine life was not extinct, but had only assumed a fresher and purer
form. Of that resurrection we have, so far as I am aware, no direct
evidence. In default of it, however, there is a tale of a local Lydian
hero called Tylon or Tylus, who was killed and brought to life again. The
story runs thus. Tylon or Tylus was a son of Earth.(555) One day as he was
walking on the banks of the Hermus a serpent stung and killed him. His
distressed sister Moire had recourse to a giant named Damasen, who
attacked and slew the serpent. But the serpent’s mate culled a herb, “the
flower of Zeus” in the woods, and bringing it in her mouth put it to the
lips of the dead serpent, which immediately revived. In her turn Moire
took the hint and restored her brother Tylon to life by touching him with
the same plant.(556) A similar incident occurs in many folk-tales.
Serpents are often credited with a knowledge of life-giving plants.(557)
But Tylon seems to have been more than a mere hero of fairy-tales. He was
closely associated with Sardes, for he figures on the coins of the city
along with his champion Damasen or Masnes, the dead serpent, and the
life-giving branch.(558) And he was related in various ways to the royal
family of Lydia; for his daughter married Cotys, one of the earliest kings
of the country,(559) and a descendant of his acted as regent during the
banishment of King Meles.(560) It has been suggested that the story of his
death and resurrection was acted as a pageant to symbolize the revival of
plant life in spring.(561) At all events, a festival called the Feast of
the Golden Flower was celebrated in honour of Persephone at Sardes,(562)
probably in one of the vernal months, and the revival of the hero and of
the goddess may well have been represented together. The Golden Flower of
the Festival would then be the “flower of Zeus” of the legend, perhaps the
yellow crocus of nature or rather her more gorgeous sister, the Oriental
saffron. For saffron grew in great abundance at the Corycian cave of
Zeus;(563) and it is an elegant conjecture, if it is nothing more, that
the very name of the place meant “the Crocus Cave.”(564) However, on the
coins of Sardes the magical plant seems to be a branch rather than a
blossom, a Golden Bough rather than a Golden Flower.
Chapter VIII. Volcanic Religion.
§ 1. The Burning of a God.
Public-domain text, read in full here on John Shaqi.
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