The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M171) Thus the theory which recognises in the European Corn-mother,
Corn-maiden, and so forth, the embodiment in vegetable form of the
animating spirit of the crops is amply confirmed by the evidence of
peoples in other parts of the world, who, because they have lagged behind
the European races in mental development, retain for that very reason a
keener sense of the original motives for observing those rustic rites
which among ourselves have sunk to the level of meaningless survivals. The
reader may, however, remember that according to Mannhardt, whose theory I
am expounding, the spirit of the corn manifests itself not merely in
vegetable but also in human form; the person who cuts the last sheaf or
gives the last stroke at threshing passes for a temporary embodiment of
the corn-spirit, just as much as the bunch of corn which he reaps or
threshes. Now in the parallels which have been hitherto adduced from the
customs of peoples outside Europe the spirit of the crops appears only in
vegetable form. It remains, therefore, to prove that other races besides
our European peasantry have conceived the spirit of the crops as
incorporate in or represented by living men and women. Such a proof, I may
remind the reader, is germane to the theme of this book; for the more
instances we discover of human beings representing in themselves the life
or animating spirit of plants, the less difficulty will be felt at
classing amongst them the King of the Wood at Nemi.
(M172) The Mandans and Minnitarees of North America used to hold a
festival in spring which they called the corn-medicine festival of the
women. They thought that a certain Old Woman who Never Dies made the crops
to grow, and that, living somewhere in the south, she sent the migratory
waterfowl in spring as her tokens and representatives. Each sort of bird
represented a special kind of crop cultivated by the Indians: the wild
goose stood for the maize, the wild swan for the gourds, and the wild duck
for the beans. So when the feathered messengers of the Old Woman began to
arrive in spring the Indians celebrated the corn-medicine festival of the
women. Scaffolds were set up, on which the people hung dried meat and
other things by way of offerings to the Old Woman; and on a certain day
the old women of the tribe, as representatives of the Old Woman who Never
Dies, assembled at the scaffolds each bearing in her hand an ear of maize
fastened to a stick. They first planted these sticks in the ground, then
danced round the scaffolds, and finally took up the sticks again in their
arms. Meanwhile old men beat drums and shook rattles as a musical
accompaniment to the performance of the old women. Further, young women
came and put dried flesh into the mouths of the old women, for which they
received in return a grain of the consecrated maize to eat. Three or four
grains of the holy corn were also placed in the dishes of the young women,
to be afterwards carefully mixed with the seed-corn, which they were
Public-domain text, read in full here on John Shaqi.
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