The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 07 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
boar’s head mask, who ran about on all fours and grunted in a life-like
manner, while the hounds, acted by young men, snarled, yelped, and made
dashes at him. The play was watched with lively interest and peals of
laughter by the spectators. Later in the evening eight disguised girls
danced, one behind the other, with slow steps and waving arms, to the
glimmering light of torches and the strains of a sort of jew’s harp.(318)
(M70) The rites which accompany the sowing of the fields are no sooner
over than those which usher in the hoeing begin. Like the sowing
ceremonies, they are inaugurated by a priestess, who hoes the sacred field
round about a sacrificial stage and then calls upon other people to
complete the work. After that the holy field is again sprinkled with a
decoction of herbs.(319)
(M71) But the crowning point of the Kayan year is the New Year festival.
The harvest has then been fully housed: abundance reigns in every family,
and for eight days the people, dressed out in all their finery, give
themselves up to mirth and jollity. The festival was witnessed by the
Dutch explorer Dr. Nieuwenhuis. To lure the good spirits from the spirit
land baskets filled with precious objects were set out before the windows,
and the priestesses made long speeches, in which they invited these
beneficent beings to come to the chief’s house and to stay there during
the whole of the ceremonies. Two days afterwards one of the priestesses
harangued the spirits for three-quarters of an hour, telling them who the
Kayans were, from whom the chief’s family was descended, what the tribe
was doing, and what were its wishes, not forgetting to implore the
vengeance of the spirits on the Batang-Lupars, the hereditary foes of the
Kayans. The harangue was couched in rhyming verse and delivered in
sing-song tones. Five days later eight priestesses ascended a sacrificial
stage, on which food was daily set forth for the spirits. There they
joined hands and crooned another long address to the spirits, marking the
time with their hands. Then a basket containing offerings of food was
handed up to them, and one of the priestesses opened it and invited the
spirits to enter the basket. When they were supposed to have done so, the
lid was shut down on them, and the basket with the spirits in it was
conveyed into the chief’s house. As the priestesses in the performance of
the sacred ceremonies might not touch the ground, planks were cut from a
fruit-tree and laid on the ground for them to step on. But the great
feature of the New Year festival is the sacrifice of pigs, of which the
spiritual essence is appropriately offered to the spirits, while their
material substance is consumed by the worshippers. In carrying out this
highly satisfactory arrangement, while the live pigs lay tethered in a row
on the ground, the priestesses danced solemnly round a sacrificial stage,
each of them arrayed in a war-mantle of panther-skin and wearing a war-cap
Public-domain text, read in full here on John Shaqi.
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