so refuse to bestow on men their annual blessing? The admission of foreigners to the privilege of initiation in the mysteries was probably a late innovation introduced at a time when the fame of their sanctity had spread far and wide, and when the old magical meaning of the ritual had long been obscured, if not forgotten. (M83) Lastly, it may be suggested that in the masked dances and dramatic performances, which form a conspicuous and popular feature of the Sowing Festival among the Kayans,(352) we have the savage counterpart of that drama of divine death and resurrection which appears to have figured so prominently in the mysteries of Eleusis.(353) If my interpretation of that solemn drama is correct, it represented in mythical guise the various stages in the growth of the corn for the purpose of magically fostering the natural processes which it simulated. In like manner among the Kaua and Kobeua Indians of North-western Brazil, who subsist chiefly by the cultivation of manioc, dances or rather pantomimes are performed by masked men, who represent spirits or demons of fertility, and by imitating the act of procreation are believed to stimulate the growth of plants as well as to quicken the wombs of women and to promote the multiplication of animals. Coarse and grotesque as these dramatic performances may seem to us, they convey no suggestion of indecency to the minds either of the actors or of the spectators, who regard them in all seriousness as rites destined to confer the blessing of fruitfulness on the inhabitants of the village, on their plantations, and on the whole realm of nature.(354) However, we possess so little exact information as to the rites of Eleusis that all attempts to elucidate them by the ritual of savages must necessarily be conjectural. Yet the candid reader may be willing to grant that conjectures supported by analogies like the foregoing do not exceed the limits of a reasonable hypothesis. CHAPTER IV. WOMAN’S PART IN PRIMITIVE AGRICULTURE. (M84) If Demeter was indeed a personification of the corn, it is natural to ask, why did the Greeks personify the corn as a goddess rather than a god? why did they ascribe the origin of agriculture to a female rather than to a male power? They conceived the spirit of the vine as masculine; why did they conceive the spirit of the barley and wheat as feminine? To this it has been answered that the personification of the corn as feminine, or at all events the ascription of the discovery of agriculture to a goddess, was suggested by the prominent part which women take in primitive agriculture.(355) The theory illustrates a recent tendency of mythologists to explain many myths as reflections of primitive society rather than as personifications of nature. For that reason, apart from its intrinsic interest, the theory deserves to be briefly considered.