The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 08 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 08 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
in the wall some six or eight feet above the floor. Here food and water
are offered to them, or rather to the spirits of the animals which are
supposed to be present in the bladders; and the spirits signify their
acceptance of the offering by causing the bladders to swing to and fro, a
movement which is really produced by a man sitting in a dark corner, who
pulls a string attached to the bladders. Further, the bladders are
fumigated with torches of wild parsnip stalks, the aromatic smoke and red
flames of which are believed to be well-pleasing to the souls of the
animals dangling in the bladders. Moreover to amuse the souls men execute
curious dances before them to the music of drums. First the dancers move
slowly with a jerky action from side to side; then they gallop obliquely
with arms tossed up and down; and lastly they hop and jump, always keeping
perfect time to the beat of the drums. The dance is supposed to imitate
the movements of seals and walrus; and again the spirits signify their
pleasure by making the bladders swing backwards and forwards. During the
continuance of the festival no loud noises may be made in the
assembly-room for fear of alarming the souls of the animals in the
bladders; if any person makes a noise by accident, all the men present
raise a chorus of cries in imitation of the notes of the eider duck to let
the souls of the animals think that the unseemly disturbance proceeds from
the birds and not from the people. Further, so long as the festival lasts,
no wood may be cut with an iron axe in the village, the men must keep
rigidly apart from the women, and no female above the age of puberty may
come near the bladders suspended in the assembly-room, the reason assigned
being that such women are unclean and might offend the sensitive souls of
the sea-beasts in the bladders. But immature girls, being untainted by the
pollution which attaches to adult women, may go about the bladders freely.
The last and crowning scene of the festival takes place at night or just
at sunrise. The spears with the bladders attached to them are passed out
by the shaman into the open air through the smoke-hole in the roof. When
all are outside, a huge torch of wild parsnip stalks is lighted; the chief
shaman takes it on his shoulder, and runs with it as fast as he can across
the snow and out on the ice. Behind him troop all the men carrying each
his spear with the bladders of the sea-beasts dangling and flapping from
it; and in the rear race the women, children, and old men, howling,
screaming and making a great uproar. In the darkness the lurid flame of
the torch shoots high into the air, casting a red glare over the snowy
landscape and lighting up the swarm of fantastic, fur-clad figures that
stream along in wild excitement. Arrived at a hole, which had been cut on
purpose in the sea-ice, the shaman plants his burning torch beside it in
the snow, and every man as he comes up rips open his bladders and thrusts
Public-domain text, read in full here on John Shaqi.
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