The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M125) With this noisy ceremony we may compare a similar custom which is
still observed year by year at the same season in the long and spacious
Piazza Navona at Rome. There on the night before Epiphany a dense crowd
assembles, and diverts itself by raising a hideous uproar. Soon after
supper troops of young folk and others march through the streets, preceded
by puppets or pasteboard figures and all making the utmost possible din.
They converge from different quarters on the Piazza Navona, there to unite
in one prolonged and deafening outburst of clangorous discord. The
favourite musical instruments employed in this cats’ concert are penny
trumpets, of which, together with tambourines, bells, and so forth, the
shops take care to provide a large stock as a preparation for the
pandemonium of the evening. The ceremony is supposed to be in honour of a
certain mythical old hag called Befana, effigies of whom, made of rags,
are put by women and children in the windows on Twelfth Night. Her name
Befana is clearly a popular corruption of Epiphany, the ecclesiastical
name of the festival; but viewed in connexion with the popular
celebrations which we have examined she may be suspected to be of heathen
rather than Christian origin. In fact we may conjecture that she was of
old a witch, and that the noisy rite in the Piazza Navona is nothing but a
relic of an annual expulsion of witches at this season.(418) A ceremony of
the same sort is annually observed on the same evening, the Eve of
Epiphany, by the peasantry who inhabit the mountains of the Tuscan
Romagna. A troop of lads parade the streets of the village making a
fiendish noise by means of bells and kitchen utensils of tin and brass,
while others blow blasts on horns and reed-pipes. They drag about a cart
containing an effigy of an old woman made up of rags and tow, which
represents Befana (Epiphany). When they come to the village square they
put fire to the effigy, which soon vanishes in smoke and flames amid a
chorus of cries, shrieks, and other forms of rustic melody.(419) Similar
ceremonies are probably observed on the same evening in other parts of
Italy.
Public-domain text, read in full here on John Shaqi.
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