The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M271) Beyond the limits of Italy festivals of the same general character
as the Saturnalia appear to have been held over a considerable area of the
ancient world. A characteristic feature of the Saturnalia, as we saw, was
an inversion of social ranks, masters changing places with their slaves
and waiting upon them, while slaves were indulged with a semblance not
merely of freedom but even of power and office. In various parts of Greece
the same hollow show of granting liberty to slaves was made at certain
festivals. Thus at a Cretan festival of Hermes the servants feasted and
their masters waited upon them. In the month of Geraestius the Troezenians
observed a certain solemnity lasting many days, on one of which the slaves
played at dice with the citizens and were treated to a banquet by their
lords. The Thessalians held a great festival called Peloria, which Baton
of Sinope identified with the Saturnalia, and of which the antiquity is
vouched for by a tradition that it originated with the Pelasgians. At this
festival sacrifices were offered to Pelorian Zeus, tables splendidly
adorned were set out, all strangers were invited to the feast, all
prisoners released, and the slaves sat down to the banquet, enjoyed full
freedom of speech, and were served by their masters.(796)
(M272) But the Greek festival which appears to have corresponded most
closely to the Italian Saturnalia was the Cronia or festival of Cronus, a
god whose barbarous myth and cruel ritual clearly belong to a very early
stratum of Greek religion, and who was by the unanimous voice of antiquity
identified with Saturn. We are told that his festival was celebrated in
most parts of Greece, but especially at Athens, where the old god and his
wife Rhea had a shrine near the stately, but far more modern, temple of
Olympian Zeus. A joyous feast, at which masters and slaves sat down
together, formed a leading feature of the solemnity. At Athens the
festival fell in the height of summer, on the twelfth day of the month
Hecatombaeon, formerly called the month of Cronus, which answered nearly
to July; and tradition ran that Cecrops, the first king of Attica, had
founded an altar in honour of Cronus and Rhea, and had ordained that
master and man should share a common meal when the harvest was got
in.(797) Yet there are indications that at Athens the Cronia may once have
been a spring festival. For a cake with twelve knobs, which perhaps
referred to the twelve months of the year, was offered to Cronus by the
Athenians on the fifteenth day of the month Elaphebolion, which
corresponded roughly to March,(798) and there are traces of a license
accorded to slaves at the Dionysiac festival of the opening of the
wine-jars, which fell on the eleventh day of the preceding month
Anthesterion.(799) At Olympia the festival of Cronus undoubtedly occurred
in spring; for here a low but steep hill, now covered with a tangled
growth of dark holly-oaks and firs, was sacred to him, and on its top
Public-domain text, read in full here on John Shaqi.
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