The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
Or it may be that the Jews intentionally shifted
the date of the festival which they borrowed from the heathen.”(836)
(M283) However, the theory of an opposition between the gods of Babylon
and the gods of Elam at the festival appears to break down at a crucial
point; for the latest and most accurate reading of the Elamite
inscriptions proves, I am informed, that the name of the goddess which
Jensen read as Mashti, and which on that assumption he legitimately
compared to the Hebrew Vashti,(837) must really be read as Parti, between
which and Vashti there is no connexion. Accordingly, in a discussion of
the origin of Purim it is safer at present to lay no weight on the
supposed religious antagonism between the deities of Babylon and
Elam.(838)
(M284) If we are right in tracing the origin of Purim to the Babylonian
Sacaea and in finding the counterpart of the Zoganes in Haman and
Mordecai, it would appear that the Zoganes during his five days of office
personated not merely a king but a god, whether that god was the
Babylonian Marduk or some other deity not yet identified. The union of the
divine and royal characters in a single person is so common that we need
not be surprised at meeting with it in ancient Babylon. And the view that
the mock king of the Sacaea died as a god on the cross or the gallows is
no novelty. The acute and learned Movers long ago observed that “we should
be overlooking the religious significance of oriental festivals and the
connexion of the Sacaea with the worship of Anaitis, if we were to treat
as a mere jest the custom of disguising a slave as a king. We may take it
for certain that with the royal dignity the king of the Sacaea assumed
also the character of an oriental ruler as representative of the divinity,
and that when he took his pleasure among the women of the king’s harem, he
played the part of Sandan or Sardanapalus himself. For according to
ancient oriental ideas the use of the king’s concubines constituted a
claim to the throne, and we know from Dio that the five-days’ king
received full power over the harem. Perhaps he began his reign by publicly
cohabiting with the king’s concubines, just as Absalom went in to his
father’s concubines in a tent spread on the roof of the palace before all
Israel, for the purpose of thereby making known and strengthening his
claim to the throne.”(839)
Public-domain text, read in full here on John Shaqi.
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