The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
(M288) Here then at the great sanctuary of the goddess in Zela it appears
that her myth was regularly translated into action; the story of her love
and the death of her divine lover was performed year by year as a sort of
mystery-play by men and women who lived for a season and sometimes died in
the character of the visionary beings whom they personated. The intention
of these sacred dramas, we may be sure, was neither to amuse nor to
instruct an idle audience, and as little were they designed to gratify the
actors, to whose baser passions they gave the reins for a time. They were
solemn rites which mimicked the doings of divine beings, because man
fancied that by such mimicry he was able to arrogate to himself the divine
functions and to exercise them for the good of his fellows. The operations
of nature, to his thinking, were carried on by mythical personages very
like himself; and if he could only assimilate himself to them completely
he would be able to wield all their powers. This is probably the original
motive of most religious dramas or mysteries among rude peoples. The
dramas are played, the mysteries are performed, not to teach the
spectators the doctrines of their creed, still less to entertain them, but
for the purpose of bringing about those natural effects which they
represent in mythical disguise; in a word, they are magical ceremonies and
their mode of operation is mimicry or sympathy. We shall probably not err
in assuming that many myths, which we now know only as myths, had once
their counterpart in magic; in other words, that they used to be acted as
a means of producing in fact the events which they describe in figurative
language. Ceremonies often die out while myths survive, and thus we are
left to infer the dead ceremony from the living myth. If myths are, in a
sense, the reflections or shadows of men cast upon the clouds, we may say
that these reflections continue to be visible in the sky and to inform us
of the doings of the men who cast them, long after the men themselves are
not only beyond our range of vision but sunk beneath the horizon.
Public-domain text, read in full here on John Shaqi.
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