grubbed up with the roots, stands for the backbone of the great being and its clustering fibres for his hair; and to complete the resemblance the butt end of the building is adorned by a native artist with a pair of goggle eyes and a gaping mouth. When after a tearful parting from their mothers and women folk, who believe or pretend to believe in the monster that swallows their dear ones, the awe-struck novices are brought face to face with this imposing structure, the huge creature emits a sullen growl, which is in fact no other than the humming note of bull-roarers swung by men concealed in the monster’s belly. The actual process of deglutition is variously enacted. Among the Tami it is represented by causing the candidates to defile past a row of men who hold bull-roarers over their heads; among the Kai it is more graphically set forth by making them pass under a scaffold on which stands a man, who makes a gesture of swallowing and takes in fact a gulp of water as each trembling novice passes beneath him. But the present of a pig, opportunely offered for the redemption of the youth, induces the monster to relent and disgorge his victim; the man who represents the monster accepts the gift vicariously, a gurgling sound is heard, and the water which had just been swallowed descends in a jet on the novice. This signifies that the young man has been released from the monster’s belly. However, he has now to undergo the more painful and dangerous operation of circumcision. It follows immediately, and the cut made by the knife of the operator is explained to be a bite or scratch which the monster inflicted on the novice in spewing him out of his capacious maw. While the operation is proceeding, a prodigious noise is made by the swinging of bull-roarers to represent the roar of the dreadful being who is in the act of swallowing the young men.