(M73) Be that as it may, certain it is that the mistletoe, the instrument of Balder’s death, has been regularly gathered for the sake of its mystic qualities on Midsummer Eve in Scandinavia, Balder’s home.(292) The plant is found commonly growing on pear-trees, oaks, and other trees in thick damp woods throughout the more temperate parts of Sweden.(293) Thus one of the two main incidents of Balder’s myth is reproduced in the great midsummer festival of Scandinavia. But the other main incident of the myth, the burning of Balder’s body on a pyre, has also its counterpart in the bonfires which still blaze, or blazed till lately, in Denmark, Norway, and Sweden on Midsummer Eve.(294) It does not appear, indeed, that any effigy is burned in these bonfires; but the burning of an effigy is a feature which might easily drop out after its meaning was forgotten. And the name of Balder’s balefires (_Balder’s Bălar_), by which these midsummer fires were formerly known in Sweden,(295) puts their connexion with Balder beyond the reach of doubt, and makes it probable that in former times either a living representative or an effigy of Balder was annually burned in them. Midsummer was the season sacred to Balder, and the Swedish poet Tegner, in placing the burning of Balder at midsummer,(296) may very well have followed an old tradition that the summer solstice was the time when the good god came to his untimely end. (M74) Thus it has been shewn that the leading incidents of the Balder myth have their counterparts in those fire-festivals of our European peasantry which undoubtedly date from a time long prior to the introduction of Christianity. The pretence of throwing the victim chosen by lot into the Beltane fire,(297) and the similar treatment of the man, the future Green Wolf, at the midsummer bonfire in Normandy,(298) may naturally be interpreted as traces of an older custom of actually burning human beings on these occasions; and the green dress of the Green Wolf, coupled with the leafy envelope of the young fellow who trod out the midsummer fire at Moosheim,(299) seems to hint that the persons who perished at these festivals did so in the character of tree-spirits or deities of vegetation. From all this we may reasonably infer that in the Balder myth on the one hand, and the fire-festivals and custom of gathering mistletoe on the other hand, we have, as it were, the two broken and dissevered halves of an original whole. In other words, we may assume with some degree of probability that the myth of Balder’s death was not merely a myth, that is, a description of physical phenomena in imagery borrowed from human life, but that it was at the same time the story which people told to explain why they annually burned a human representative of the god and cut the mistletoe with solemn ceremony. If I am right, the story of Balder’s tragic end formed, so to say, the text of the sacred drama which