The Golden Bough: A Study of Magic and ReligionFrazer, James George
Religion
The Golden Bough: A Study of Magic and Religion
Frazer, James George
Magic; Mythology; Religion; Superstition
In the neighbourhood of Briançon (Dauphiné) on May Day the lads wrap
up in green leaves a young fellow whose sweetheart has deserted him
or married another. He lies down on the ground and feigns to be
asleep. Then a girl who likes him, and would marry him, comes and
wakes him, and raising him up offers him her arm and a flag. So they
go to the alehouse, where the pair lead off the dancing. But they
must marry within the year, or they are treated as old bachelor and
old maid, and are debarred the company of the young folks. The lad
is called the Bridegroom of the month of May. In the alehouse he
puts off his garment of leaves, out of which, mixed with flowers,
his partner in the dance makes a nosegay, and wears it at her breast
next day, when he leads her again to the alehouse. Like this is a
Russian custom observed in the district of Nerechta on the Thursday
before Whitsunday. The girls go out into a birch-wood, wind a girdle
or band round a stately birch, twist its lower branches into a
wreath, and kiss each other in pairs through the wreath. The girls
who kiss through the wreath call each other gossips. Then one of the
girls steps forward, and mimicking a drunken man, flings herself on
the ground, rolls on the grass, and feigns to fall fast asleep.
Another girl wakens the pretended sleeper and kisses him; then the
whole bevy trips singing through the wood to twine garlands, which
they throw into the water. In the fate of the garlands floating on
the stream they read their own. Here the part of the sleeper was
probably at one time played by a lad. In these French and Russian
customs we have a forsaken bridegroom, in the following a forsaken
bride. On Shrove Tuesday the Slovenes of Oberkrain drag a straw
puppet with joyous cries up and down the village; then they throw it
into the water or burn it, and from the height of the flames they
judge of the abundance of the next harvest. The noisy crew is
followed by a female masker, who drags a great board by a string and
gives out that she is a forsaken bride.
Viewed in the light of what has gone before, the awakening of the
forsaken sleeper in these ceremonies probably represents the revival
of vegetation in spring. But it is not easy to assign their
respective parts to the forsaken bridegroom and to the girl who
wakes him from his slumber. Is the sleeper the leafless forest or
the bare earth of winter? Is the girl who awakens him the fresh
verdure or the genial sunshine of spring? It is hardly possible, on
the evidence before us, to answer these questions.
Public-domain text, read in full here on John Shaqi.
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