The Golden Bough: A Study of Magic and ReligionFrazer, James George
Religion
The Golden Bough: A Study of Magic and Religion
Frazer, James George
Magic; Mythology; Religion; Superstition
The fear thus entertained of alien visitors is often mutual.
Entering a strange land the savage feels that he is treading
enchanted ground, and he takes steps to guard against the demons
that haunt it and the magical arts of its inhabitants. Thus on going
to a strange land the Maoris performed certain ceremonies to make it
"common," lest it might have been previously "sacred." When Baron
Miklucho-Maclay was approaching a village on the Maclay Coast of New
Guinea, one of the natives who accompanied him broke a branch from a
tree and going aside whispered to it for a while; then stepping up
to each member of the party, one after another, he spat something
upon his back and gave him some blows with the branch. Lastly, he
went into the forest and buried the branch under withered leaves in
the thickest part of the jungle. This ceremony was believed to
protect the party against all treachery and danger in the village
they were approaching. The idea probably was that the malignant
influences were drawn off from the persons into the branch and
buried with it in the depths of the forest. In Australia, when a
strange tribe has been invited into a district and is approaching
the encampment of the tribe which owns the land, "the strangers
carry lighted bark or burning sticks in their hands, for the
purpose, they say, of clearing and purifying the air." When the
Toradjas are on a head-hunting expedition and have entered the
enemy's country, they may not eat any fruits which the foe has
planted nor any animal which he has reared until they have first
committed an act of hostility, as by burning a house or killing a
man. They think that if they broke this rule they would receive
something of the soul or spiritual essence of the enemy into
themselves, which would destroy the mystic virtue of their
talismans.
Public-domain text, read in full here on John Shaqi.
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