'You must be very easy to please,' said Urania. 'I am,' replied the Vicar's wife, curtly, 'and that is one of the blessings for which I am thankful to God. I hate your _nil admiraris_,' added the lady, as if it were the name of a species. After this Urania became suddenly interested in Schumann, and glided across the room to see what the music meant. 'That is very sweet,' she murmured, sinking into a seat by Bessie; 'classical, of course?' 'Schumann,' answered Ida, briefly. 'I thought so. It has that delicious vagueness one only finds in German music--a half-developed meaning--leaving wide horizons of melodious uncertainty.' This was a conversational style which Miss Rylance had cultivated since her entrance into the small world of Kingthorpe, and the larger world of Cavendish Square, as a grown-up young woman. She had seen a good deal of a semi-artistic, quasi-literary circle, in which her father was the medical oracle, attending actresses and singers without any more substantial guerdon than free admittance to the best theatres on the best nights; prescribing for newspaper-men and literary lions, who sang his praises wherever they went. Urania had fallen at once into all the tricks and manners of the new school. She had taken to short waists and broad sashes, and a style of drapery which accentuated the elegant slimness of her figure. She affected out-of-the-way colours, and quaint combinations--pale pinks and olive greens, tawny yellow and faded russet--and bought her gowns at a Japanese warehouse, where limp lengths of flimsy cashmere were mixed in artistic confusion with sixpenny teapots and paper umbrellas. In a word, Miss Rylance had become a disciple of the peacock-feather school of art, and affected to despise every other development of intellect, or beauty. This was the first time that she and Ida had met since the latter's return to Kingthorpe, except indeed for briefest greetings in the churchyard after morning service. Ida had not yet upbraided her for the trick of which she was the author and originator, but Urania was in no wise grateful for this forbearance. She had acted with deliberate maliciousness; and she wanted to know that her malice had given pain. The whole thing was a failure if it had not hurt the girl who had been audacious enough to outshine Miss Rylance, and to fascinate Miss Rylance's father. Urania had no idea that the physician had offered himself and his two houses to Ida Palliser, nay, had even pledged himself to sacrifice his daughter at the shrine of his new love. She knew that he admired Miss Palliser more than he had ever admired anyone else within her knowledge, and this was more than enough to make Ida hateful.