He was a fine, broad-shouldered young fellow, with a frank,
fresh-coloured countenance, auburn whiskers, and curly brown hair. His
brother was after the same pattern, hair a little lighter, no whiskers,
eyes rather a brighter blue. They were as much alike as brothers can be
without being mistaken for each other. There was nothing romantic looking
about either of them, Bessie thought, regretfully. She would have liked
Sir Vernon to have resembled her favourite hero in fiction (the man she
always put in confession books), and to have fallen desperately in love
with Ida at first sight. And here he was, a most matter-of-fact looking
young man, riding behind the wagonette in a provokingly matter-of-fact
way.
Yet perhaps there was a providence in this; for if Brian of the Abbey
were in love with Ida, as Bessie shrewdly suspected, it would have been a
terrible thing for him to have found a rival in a titled cousin. If Ida
were ambitious, the title might have turned the scale.
'And I have so set my heart upon having her for my cousin, thought
Bessie. 'The other Brian was a failure, but this Brian may win the
prize.'
Mr. Jardine had not been able to leave his parish for a long day; so
Bessie had plenty of leisure to speculate upon the possible loves of
other people, instead of enjoying the blissfulness of her own love
affair.
Wimperfield was a mansion built in the Italian manner which prevailed
about a century ago, a style about as uninteresting as any order of
domestic architecture, but which makes a house a good feature in a fine
landscape. The Corinthian façade of Wimperfield stood boldly out against
the verdant slope of a hill, backed and sheltered on either side by
woods. Behind that classic portico there was the usual prim range of
windows, and there were the usual barrack-like rooms. The furniture was
of the same heavy and substantial character, rich dark rosewood, amber
satin hangings faded by a quarter of a century; Spanish mahogany in
dining-rooms and bedrooms; Gillow's fine workmanship everywhere, but the
style dating back to the very infancy of that ancient house.
The large, finely-lighted hall, which looked like the vestibule of some
learned institute, was adorned with four Carrara marble statues, placid
gods and goddesses smirking at vacancy, on pedestals of verde antico. The
only pictures in the reception-rooms were family portraits, and a few of
those large Dutch landscapes, battle scenes, sea-pieces and fruit-pieces,
which cry aloud that they are furniture pictures, and have been bought to
fit the panelling of the rooms.
But for its noble situation this temple of English domestic life would
have been utterly without charm; but the situation was superb, the
gardens were in beautiful order, and the stables, as Aunt Betsy declared
after personal inspection, were perfect.
Public-domain text, read in full here on John Shaqi.
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